American university studies.

This book is both a major expansion and revision of Common Ground: Christianity, African Religion, and Philosophy. The original central thesis has remained unchanged. The central arguments in this book respond to the sensitive theological Christian dogma of "extra ecclesiam nulla salus." The book rejects this doctrine as theologically erroneous, uncharitable, and absurd. The author demonstrates the universal reality and sound logic of the efficacious existence of God's universal salvation and God's kingdom, beyond the confines of the traditional Apostolic Christian Church. God's universal Agape in creation is mediated through God's eternal Word (Logos-Christ). The creative and redemptive cosmic work of God in the Logos-Christ constitutes God's universal gratuitous process of creation and recreation or redemption. No human being or society is ever left out of this redemptive, universal free grace of God. This book has been primarily written for scholars, teachers, and advanced college students or serious readers in the fields of Theology, Philosophy, African Studies, African-American Studies, African Traditional Religion, Ecclesiology, Missiology, Comparative Religion, Cultural Anthropology, and Sociology.

This catalogue of poet John Berryman's (1914-1972) personal library provides unique insight into the life and work, the range of thought and emotion, and the special interests and enthusiasms of the man the British critic Donald Davie described as "one of the most gifted and intelligent Americans of his time." The library is, just for the volumes alone, a distinguished one in several areas. What makes it especially valuable though, as this study conveys, is the extensive pencil and ink record of Berryman's passionate and lifelong interaction with the books.

Modern scholarship shows a startling fact - that belief in one God originated with Moses and became the basis of the Jewish Bible and the Old Testament in a ritual drama, The Play of Moses, first created by Joshua as the Israelites crossed the Jordan and performed it at Schechem. This play was altered over time into The Play of David. Remnants of this ritual drama are to be found in The Book of J, written hundreds of years later - after the time of Solomon - and it was severely suppressed by priests returning from the Exile hundreds of years after that. The Play of Moses is the hidden basis of the modern Jewish and Christian religions.

In this revised and updated edition of the widely acclaimed The Bible and Us, Father Andrew Greeley and Rabbi Jacob Neusner present their characteristically candid - and often provocative - interpretations of the history, context, and meaning of scripture. Written in alternating chapters, in accessible language for laypersons and scholars alike, Common Ground reveals how a rabbi understands Christ, Mary, and St. Paul - and how a priest views creation, Abraham and Sarah, and the prophets. This new edition also includes chapters on the gender of God and how the authors' minds have changed over the years.

A man whose wife believes him to be a boring computer salesman is in reality a secret agent.

It is the aim of this book to chronicle the vitality of international film art between the years 1987 and 1992. Countries represented in this collection include England, France, Sweden, the United States, Germany, India, Russia, Denmark, Italy, Spain, China, Holland, Japan, and Finland. The review/essays contained herein are acts of analysis and interpretation in the humanistic senses of those words; they are neither theoretical musings nor scholarly tracts. As such, Film Chronicle can be considered a call for the return of practical criticism as the best way to understand and appreciate the work of cinematic artists.

To write a book about Elias Canetti is to engage in the problematic of marginality, of that voice that grapples obsessively with language and silence as they relate to historical contingency. A book about Canetti must be concerned with the ways in which we define the parameters of the linguistic territory as they affect the productive process of expressive forms; it must look at the way an individual consciousness is caught within a historical situation denying meaning and yet resists that denial, affirming signification, even if negational.

This volume contains the early, but not previously published, poems of British poet Edith Sitwell. Sitwell wrote these poems between 1913 and 1915 and sent them, along with others that have appeared before, to her distant cousin Joan Wake, perhaps the first person other than Helen Rootham to encourage the efforts of the aspiring young poet. While the association with Joan Wake did not last, the poems survived until Wake sold them to the Huntington Library and left copies in the Northamptonshire Historical Society archives. Although clearly the work of a young poet, these works indicate Sitwell's constant interest in technical innovation and the feminine voice.

Putting privately owned Russian pharmacies and pharmaceutical factories under state control in 1918/1919 did not improve the output and the distribution of soaps, disinfectants, hormones, vitamins, and medicines. Newly available archival records show that managers appointed by the Soviet government to run sequestered factories employed business methods common to market economies to make the Soviet pharmaceutical sector profitable and productive. However, an inefficient macroeconomy and interference in day-to-day policy-making in the core industry by exogenous officials (frequent reorganization, limits on imports, and excessive exports) hindered production; this plus inefficient distribution shorted consumers. Inadequate amounts of pharmaceuticals undoubtedly contributed to high mortality during the civil war (1917-1921), collectivization and industrialization (1927-1938), and World War II (1939-1945).