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押見修造

Personal Information

Born January 1, 1981 (45 years old)
Kiryū, Japan
Also known as: Shuzo Oshimi, Oshimi Shuzo
24 books
2.7 (3)
32 readers
Categories

Description

Japanese mangaka

Books

Newest First

Happiness

0.0 (0)
2

The biggest loser in high school goes out one night to return a DVD and gets attacked by a blood-sucking woman. She asks if he wants to die or live. He chooses to live ... but he's back in school he finds himself craving blood. When his desire becomes unbearable, and realizes he has climbed onto a female classmate and is trying to bite her neck. He stops himself, but she hugs him close. She asks, "Did you really want me that much?."

Shino Can't Say Her Name

0.0 (0)
0

"High school can be a stressful time for many young people. The change means a new commute, new friends, new courses...new teachers. For Shino Oshima the change could have meant an opportunity to blossom into adulthood. Unfortunately, things go wrong on her first day - she fails to even say her name during her homeroom introduction. From then on Shino is a part-mute part-stuttering mess. Ostracized and afraid she struggles to find her place in this new world... But thankfully for her, she finds her voice through music and some unexpected new frienemies"--

Blood on the Tracks, volume 1

4.0 (1)
5

Seiichi's mother loves him very much, and his days pass with placid regularity. School, friends, even the attention of his attractive classmate Fukiishi. Until one terrible summer day, that all changes... Shuzo Oshimi (The Flowers of Evil) delivers his most unsettling work yet, the tale of a seemingly normal family suddenly swallowed up by the creeping horror of everyday life. Gorgeous art and an understated script only serve to heighten the tension as we watch Seiichi Osabe's life spiral into nightmare. --Back Cover

The Flowers Of Evil

0.0 (0)
4

The Flowers of Evil , which T.S. Eliot called the greatest example of modern poetry in any language, shocked the literary world of nineteenth century France with its outspoken portrayal of lesbian love, its linking of sexuality and death, its unremitting irony, and its unflinching celebration of the seamy side of urban life. Including the French texts and comprehensive explanatory notes to the poems, this extraordinary body of love poems restores the six poems originally banned in 1857, revealing the richness and variety of the collection.