Ross King

Chronicles the origins of Impressionism against the backdrop of the artistic and cultural events of the nineteenth century as exemplified in the work of two artists--Ernest Meissonier and Edouard Manet.

"In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Four years earlier, at the age of twenty-nine, Michelangelo had unveiled his masterful statue of David in Florence; however, he had little experience as a painter, even less working in the delicate medium of fresco, and none with the challenging curved surfaces of vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin.". "Michelangelo & the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Contrary to legend, he neither worked alone nor on his back. He and his hand-picked assistants stood bending backward on a special scaffold he designed for the purpose. Battling against ill health, financial difficulties, domestic and family problems, and the pope's impatience, Michelangelo created scenes - including The Creation, The Temptation, and The Flood - so beautiful that, when they were unveiled in 1512, they stunned onlookers. In the end, he produced one of the greatest masterpieces of all time, about which Giorgio Vasari, in his Lives of the Artists, wrote, "There is no other work to compare with this for excellence, nor could there be.""--BOOK JACKET.

The superb story of the architect Filippo Brunelleschi and the design and construction of the Great Cathedral in Florence - one of the most magnificent achievements of the Italian Renaissance.Even in an age of soaring skyscrapers and cavernous sports stadiums, the cathedral of Santa Maria del Fiore in Florence, with its immense, terracotta-tiled cupola, still retains a rare power to astonish. Yet the elegance of the building belies the tremendous labour, technical ingenuity and bitter personal strife involved in its creation. For over a century after work on the cathedral began in 1296, the proposed dome was regarded as all but impossible to build because of its enormous size. The greatest architectural puzzle of its age, when finally completed in 1436 the dome was hailed as one of the great wonders of the world. To this day, it remains the highest and widest masonry dome ever built. This book tells the extraordinary story of how the cupola was raised, from its conception to its consecration. Also told is the story of the dome's architect, the brilliant and volatile Filippo Brunelleschi. Denounced as a madman at the start of his labours, he was celebrated at their end as a great genius. His life was one of ambition, ingenuity, rivalry and intrigue - a human drama set against the plagues, wars, political feuds and intellectual ferments of Renaissance Florence, the glorious era for which the dome remains the most compelling symbol.

In these eighteen essays, Anne Fadiman "recounts a lifelong love affair with books and language."--Jacket. Ex Libris recounts a lifelong love affair with books and language. For Fadiman, as for many passionate readers, the books she loves have become chapters in her own life story. Writing with remarkable grace, she revives the tradition of the well-crafted personal essay, moving easily from anecdotes about Coleridge and Orwell to tales of her own pathologically literary family. As someone who played at blocks with her father's twenty-two-volume set of Trollope ("My Ancestral Castles") and who considered herself truly married only when she and her husband had merged collections ("Marrying Libraries"), she is exquisitely well equipped to expand upon the art of flyleaf inscriptions, the perverse pleasures of compulsive proofreading, the allure of long words, and the satisfactions of reading aloud.

The Prince, Niccolo Machiavelli's handbook on power—how to get it and how to keep it—has been enormously influential in the centuries since it was written, garnering a heady mixture of admiration, fear, and contempt. Its author, born to an established middle-class family, was no prince himself. Machiavelli (1469-1527) worked as a courtier and diplomat for the Republic of Florence and enjoyed some small fame in his time as the author of bawdy plays and poems. Upon the Medici's return to power, however, he found himself summarily dismissed from the government he had served for decades and exiled from the city where he was born.In this discerning new biography, Ross King rescues Machiavelli's legacy from caricature, detailing the vibrant political and social context that influenced his thought and underscoring the humanity of one of history's finest political thinkers. Ross King's Machiavelli visits fortune-tellers, produces wine on his Tuscan estate, travels Europe tirelessly on horseback as a diplomatic envoy, and is a passionate scholar of antiquity—but above all, a keen observer of human nature.

"The society ball was George Cautleys introduction to the London he had dreamed about, a world of wealth, beauty, and wit, of patrons and scoundrels. It would also be his introduction to the mysterious and beautiful Lady Petronella Beauclair (and through her the castrato singer Tristano), to seduction and mystery and ultimatley to crimes the son of a clergyman could never have imagined."--Jacket.

Presents brief profiles of over eighty major artists throughout history, providing the historical context in which each artist worked, their influences, and legacies.

Michel-Ange a consacré quatre années de sa vie à ce chef-d'oeuvre de la Renaissance italienne. L'auteur relate les difficultés techniques de l'artiste et dépeint cette époque en Italie par l'émergence d'artistes divers et célèbres.

Studie over het bekende kunstwerk van Leonardo da Vinci (1452-1519) en zijn kunsthistorische en politieke achtergrond.

Tells the complete story of the creation of The Last Supper mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved -- everyone from the Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work.