UNITED STATES AUTHOR · EXHIBITIONS · CATALOGS
Metropolitan Museum of Art (New York, N.Y.)
Also known as: Metropolitan Museum of Art, Metropolitan Museum of Art.
This is a list of museums in New York City, which is home to hundreds of cultural institutions and historic sites, many of which are internationally known. Also included are non-profit art galleries, arts centers, and cultural centers with galleries. See also List of museums and cultural institutions in New York City for museums and other visitor attractions including zoos and gardens, performing arts organizations, libraries, and historically-significant sites. See also List of museums in New York (state) for museums in the rest of New York state.
I'd always lived a fairly blameless life.
— from Angels
Most acclaimed
Orientalism
1978
Orientalism is a 1978 book by Edward W. Said, in which the author discusses Orientalism, defined as the West's patronizing representations of "The East"—the societies and peoples who inhabit the places of Asia, North Africa, and the Middle East. According to Said, orientalism (the Western scholarship about the Eastern World) is inextricably tied to the imperialist societies who produced it, which makes much Orientalist work inherently political and servile to power. According to Said, in the Middle East, the social, economic, and cultural practices of the ruling Arab elites indicate they are imperial satraps who have internalized the romanticized "Arab Culture" created by French, British and, later, American Orientalists; the examples include critical analyses of the colonial literature of Joseph Conrad, which conflates a people, a time, and a place into a narrative of incident and adventure in an exotic land. The critical application of post-structuralism in the scholarship of Orientalism influenced the development of literary theory, cultural criticism, and the field of Middle Eastern studies, especially regarding how academics practice their intellectual inquiry when examining, describing, and explaining the Middle East. The scope of Said's scholarship established Orientalism as a foundation text in the field of post-colonial culture studies, which examines the denotations and connotations of Orientalism, and the history of a country's post-colonial period. As a public intellectual, Edward Said debated Orientalism with historians and scholars of area studies, notably, the historian Bernard Lewis, who described the thesis of Orientalism as "anti-Western". For subsequent editions of Orientalism, Said wrote an "Afterword" (1995) and a "Preface" (2003)addressing criticisms of the content, substance, and style of the work as cultural criticism. (Wikipedia)
Angels
From the Publisher: The Book of Genesis depicts them as doing strange things-mating with the daughters of men to spawn giants, for example, and wrestling with Jacob for no apparent reason. In It's a Wonderful Life, Frank Capra spun a tale of one as a bumbling helper of humans; in Wings of Desire, Wim Wenders told of one who wished to be human. They are angels, of course, and they have fascinated us since recorded history began. In Angels, David Albert Jones provides a crisp, broad-ranging survey of angels in theology, philosophy, and popular culture. Focusing on Judaism, Christianity, and Islam, he examines how angels have been imagined and explained, and why they continue to captivate us. Jones explores the classical discussion-what they are made of, when they came to be, how many there are, and whether anyone ever did ask how many could dance on the head of a pin. He names the archangels, surveys the different hierarchies, and examines how they have changed over time. Jones explains, for example, how cherubim became cherubs, and why angels in the Hebrew Bible are typically male, but in later art became androgynous, or even female by the twentieth century. The book explores the idea that Satan was a fallen angel (a belief not shared by Islam), and looks at demons and exorcism. But Jones concentrates on good angels, in their roles as messengers, guardians, or helpers. He looks at why the idea of angels remains so attractive, and so potent in modern culture-even among nonbelievers. From scripture to cinema, Jones offers a sweeping, accessible introduction to this remarkable phenomenon. Whether we believe in angels or not, he argues, the study of their role in cultures past and present can teach us much about humanity.