Robert E. Sherwood

With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten—a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house's current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim's first wife—the late and hauntingly beautiful Rebecca.

Drama in 12 scenes. The play, which in 1939 was awarded the Pulitzer Prize for drama, concerns Lincoln's life and career--from his early, unsuccessful days as a postmaster in New Salem, Ill., through his initial forays into local politics, his relationship with Mary Todd, and his debates with Stephen Douglas, and culminates with his election to the presidency and imminent departure for Washington, D.C., 30 years later.

20 of the best American plays from 1930-1939.

This is a very intimate look at the partnerships between Hopkins and Roosevelt forged in the 30s as they waged war on southern Dems and northern Republicans to use infrastructure spending to revive towns, farmland and urban life. Hopkins later served as Roosevelt’s private attache’ to Britain and Russia to help mitigate the ongoing and often contentious relations between Churchill and Stalin; while FDR focuses on domestic industrial issues and broke up fights between his strongly progressive Vice President Henry Wallace and the southern power brokers who hated the New Deal.

Deals with Lincoln's life from his first meeting with Ann Rutledge until he leaves Springfield to take office as president.

"Sherwood let his frequently impish imagination toy with an item in the history books, the one in which Mrs. Robert Murray beguiles British General Sir William Howe into tarrying in her home instead of pushing on with his redcoats and his Hessians and driving a wedge between the armies of General Isaac Putnam and George Washington. Thanks to his lady's enticements, Putnam was able to join Washington on the Harlem River under cover of night. According to Sherwood, Mrs. Murray's delaying tactics include a cocktail made of Holland gin and sherry called a stone wall, an excellent lunch prepared by a Creole cook, some intelligent conversation, a dinner featuring steamed clams, plenty of good brandy and, one suspects, finally her own beautiful self."--Goodreads

The play opened at the Imperial Theatre in New York City on July 15, 1949, and ran for a total of 308 performances. Produced by Irving Berling, Moss Hart, and robert E. Sherwood, and directed by Moss Hart with choreography by Jerome Robbins--vendor information.

Elena is married to Dr. Anton Drug, a Viennese psychoanalyst. But in the golden days before the fall of the Empire, she had a love affair with Prince Rudolf Maximilian. After World War I and the expulsion of the aristocracy, Elena developed into a responsible, mature woman, and a devoted wife. A group of her former cronies, some of whom have been living in poverty and exile, return to Vienna to attend a party to which Rudolf is (surreptitiously) invited. Elena's old friends press her to attend the party. But she refuses, saying the past means nothing to her, but Anton thinks she should go, if only to prove to herself that she has left the past behind. Rudolf, who eeks out an existence abroad as a taxi driver, arrives incognito and immediately sends for Elena. Elena arrives, and for a moment an illusion of gaiety is established. Rudolf makes violent love to Elena, she runs home, and he follows her, determined to renew their affair. But Elena, though caught in the excitement of old memories and still attracted to Rudolf, knows he belongs to the past, and her husband and the present is the better of the two. But she allows Rudolf to hide in her apartment while Anton arranges for him to escape from the country. The experiment of trying to renew a past that no longer has meaning has been successfully carried out. --www.doollee.com.