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Jan 1, 1919 — —· 107 yrs

UNITED STATES AUTHOR · POETRY · HISTORY

Reed Whittemore

14
BOOKS
4.7
AVG RATING (3)
0
READERS
New Haven, United States
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Most acclaimed

#1

Against the grain

4.7 (3)

An account of all the new and surprising evidence now available for the beginnings of the earliest civilizations that contradict the standard narrative. Why did humans abandon hunting and gathering for sedentary communities dependent on livestock and cereal grains, and governed by precursors of today's states? Most people believe that plant and animal domestication allowed humans, finally, to settle down and form agricultural villages, towns, and states, which made possible civilization, law, public order, and a presumably secure way of living. But archaeological and historical evidence challenges this narrative. The first agrarian states, says James C. Scott, were born of accumulations of domestications: first fire, then plants, livestock, subjects of the state, captives, and finally women in the patriarchal family--all of which can be viewed as a way of gaining control over reproduction. Scott explores why we avoided sedentism and plow agriculture, the advantages of mobile subsistence, the unforeseeable disease epidemics arising from crowding plants, animals, and grain, and why all early states are based on millets and cereal grains and unfree labor. He also discusses the "barbarians" who long evaded state control, as a way of understanding continuing tension between states and nonsubject peoples.

#2

Little Magazines (Pamphlets on American Writers)

0.0 (0)
#3

Poems, new and selected

1998

0.0 (0)

The poetry of the late James Laughlin (1914-97) spans a period of over sixty years, from the first verses written in his signature "typewriter" metric to the most recent pieces that open his Poems New and Selected. Laughlin reveals himself in his poems as a master of concision, of the well-placed word that penetrates the human heart. Over two hundred and twenty five poems included here show his technical brilliance as well: in short- and long-line poems; in the three-stress verses of his autobiographical "Byways"; in "Epigrams," amatory and otherwise, and "Pentastichs"; in idiosyncratic "(American) French" poems and their translations of his own devising.

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