James Jones
Personal Information
Description
James Jones is an award-winning Art Director & Designer who freelances for publishers all over the world, and whose work has been recognised by AIGA (American Institute of Graphic Arts), Type Directors Club, Design Observer and the ABCD (The Academy of British Cover Design) awards.
Books
Great World War II Stories
A perfect morning (from The young lions) / Irwin Shaw Lunghua camp (from Empire of the Sun) / J.G. Ballard The journey (from A town like Alice) / Nevil Shute The birth of an idea (from The man who never was) / Ewen Montague The big day (from From here to eternity) / James Jones Abducting the general (from Ill met by midnight) / W. Stanley Moss The landing at Kuralei (from Tales of the South Pacific) / James A. Michener Shall I live for a ghost (from The last enemy) / Richard Hillary Billy Pilgrim (from Slaughterhouse Five) / Kurt Vonnegut Battalion in defense (from Officers and gentlemen) / Evelyn Waugh Anopopei (from The naked and the dead) / Norman Mailer 'Plane land here' (from Wingate's raiders) / Charles J. Rolo Mission asymptote (from The white rabbit) / Bruce Marshall Fraternizing with the enemy? (from Reach for the sky) / Paul Brickhill Shooting party (from Grand party) Graham Brooks H-hour (from The longest day) / Cornelius Ryan Into Germany (from Carve her name with pride) / R.J. Minney Ironbottom Sound (from Ironbottom Sound) / Lindsay Baly The first bid for freedom (from The Colditz story) / P.R. Reed Some were unlucky (from Enemy coast ahead) / Guy Gibson, VC May 1941 (from Nella Last's diary) / Nella Last Major major major major (from Catch 22) / Joseph Heller The battle of the bulge (from The face of war) / Martha Gelhorn The invasion of Papua (from Retreat from Kokoda) / Raymond Paull No trouble at all (from The stories of flying officer X) / H.E. Bates Stalingrad The story of the battle (from Stalingrad point of return) / Ronald Seth The soldier looks for his family / John Prebble The white mouse and the Maquis d'Auvergne (from The white mouse) / Nancy Wake Fear of death / F.J. Salfeld The invaders (from The Moon is down) / John Steinbeck The compass rose (from The cruel sea) / Nicholas Monsarrat The diary of a desert rat (from The diary of a desert rat) / R.L. Crimp The Mannerheim Line (from Of many men) / James Aldridge Midway (from Torpedo Junction) / Robert J. Casey Hiroshima the fire (from Hiroshima) / John Hersey
Go to the widow-maker
Seine Bühnenstücke bringen ihm Ruhm und Erfolg. Frauen hoffen auf seine Liebe und werden für ihn zu lästigen Affären. Das Leben als kleiner Star in einer Massengesellschaft befriedigt Ron Grant nicht. Er sucht das Abenteuer, das männliche Kraftproben verlangt. Als Tiefseetaucher glaubt er es zu finden. Ob im Wasser gegen die Bewohner des Meeres oder an Land gegen neugewonnene Freunde, stets fordert die Situation den ganzen Einsatz seiner Person. Meistert Grant dieses abenteuerliche Leben auch zunächst nur mit Hilfe einer gewissen sinnlichen Brutalität, so entdeckt er doch schließlich, daß er mehr und andere Kräfte aufbringen kann, um mit der Herausforderung fertig zu werden.
With my whole heart
When he had major heart surgery, the Bishop of Liverpool turned to the psalms in the Book of Common Prayer. In this book, each mention of the heart in the psalms is quoted and is followed by a reflection arising out of the Bishop's daily meditations and a suggestion for prayer.
From Here to Eternity
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world’s funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry—especially chemical embalming—and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.
The Thin Red Line
They are the men of C-for-Charlie Company--"Mad" 1stSgt. Eddie Welsh, SSgt. Don Doll, Pvt. John Bell, Capt. James Stein, Cpl. Fife, and dozens more just like them--infantrymen in "this man's army" who are about to land grim and white-faced on an atoll in the Pacific called Guadalcanal. This is their story, a shatteringly realistic walk into hell and back. In the days ahead some will earn medals; others will do anything they can dream up to get evacuated before they land in a muddy grave. But they will all discover the thin red line that divides the sane from the mad--and the living from the dead--in this unforgettable portrait that captures for all time the total experience of men at war.
Whistle
Roper is illiterate. He is a poor, hard-working black man in the unforgiving heart of south Georgia, striving each day to put distance between his new life and his probation for a petty crime one year earlier. His routine is his savior: At sunrise he mounts the tractor belonging to Math Taylor, a prominent white landowner, and grooms the vast grounds of the Taylor home - until one morning, when Roper's routine goes terribly wrong. While mowing the tall grass at the back end of the property, he comes across the body of his boss's wife, dead of a heart attack. In a moment of panic, terrified that he'll be blamed for her death and sent back to jail, Roper hides her body where it will not be found. With the ensuing days and weeks comes a painstaking, and fruitless, search for the missing woman. The police want to interview Roper, to ask him if he happened to see Lora Taylor before her mysterious disappearance. After all, wasn't he running the tractor around the time she vanished? Now Roper is not sure he did the right thing. He should have called for help. And there is no way he can come forward at this point. As the investigation begins and the tragedy hits the evening news, Roper is nearly crippled with self-induced fear and paranoia.
Classic Stories of World War II
A perfect morning (from The Young Lions) / Irwin Shaw -- Lunghua camp (from Empire of the Sun) / J. G. Ballard -- The big day (from From Here to Eternity) / James Jones -- The landing on Kuralei (from Tales of the South Pacific) / James A. Michener -- Shall live for a ghost? (from The Last Enemy) / Richard Hillary -- Billy Pilgrim (from Slaughterhouse Five) / Kurt Vonnegut -- Battalion in defence (from Officers and Gentlemen) / Evelyn Waugh -- Anopopei (from The Naked and the Dead) / Norman Mailer -- Some were unlucky (from Enemy Coast Ahead) / Guy Gibson, VC -- Major major major major (from Catch-22) / Joseph Heller -- The invasion of Papua (from Retreat from Kokoda) / Raymond Paull -- Stalingrad : the story of the battle (from Stalingrad : Point of Return) / Ronald Seth -- The White Mouse and the Maquis d'Auvergne (from The White Mouse) / Nancy Wake -- The invaders (from The Moon is Down) / John Steinbeck -- The blooding of the compass rose (from The Cruel Sea) / Nicholas Monsarrat -- Hiroshima : the fire (from Hiroshima / John Hersey.
