Lynn Crosbie

Luna Bodman always looks forward to a new shipment of furniture at the restoration shop. Her brother, Cullen, has a knack for finding discarded pieces with an intriguing history, and Luna likes to sit with each item to see if she can feel any kind of vibrations. Usually, Cullen does his thing while Luna does hers, but the arrival of an old armoire triggers a raeaction in Luna that's impossible to ignore. From the moment Luna wiggles inside the armoire and closes her eyes, she feels an overpowering and disturbing sensation. Emerging, she asks for a flashlight and discovers words scraped into the wood: “Help me!” Hoping to uncover the piece's secrets, Luna contacts her good friend, U.S. Marshall Christopher Gaines, and the group sets out to trace the armoire's origins.The journey takes them to a military school in New England, and a mysterious, long-ago ransom case. The kidnappers were never found, but decades later, the answers may finally be within reach . . .

Missing Children is a daring and innovative collection of new poems by the controversial author of Paul’s Case and VillainElle. Here, Lynn Crosbie creates a bold fusion of genres by taking traditional elements of the novel – dialogue, plot, and description – and weaving them through a series of narratively linked poems. Centering on a man and a woman obsessively drawn to each other, Missing Children unfolds around a forbidden relationship and a series of letters, written by the protagonist, to the parents of missing children. Infused with psychological insight, rich in cultural iconography, and written in spare, clear language, Missing Children takes us to the moral fringes of society and challenges us to judge what we find. Crosbie breaks new stylistic and dramatic ground in this compelling, original collection.

With two of North America's most notorious serial killer/sex slayers as its focus, Lynn Crosbie's novel, dissects and pathologises the horrific world of Paul Bernardo and Karla Homolka. In the true-crime tradition of Norman Mailer and a host of others, this book is a remarkable work of theoretical fiction that sensitively, imaginatively, and systematically analyses the abduction and murder of Bernardo and Homolka's innocent victims while exploring, in startlingly graphic detail, the cultural effects of the shocking revelations and controversy surrounding the capture, trial, testimony, videotape evidence, and incarceration of the almost unthinkable monstrous pair. This is compelling, moving, impossible work: a book which will shock, terrify, and anger you: a book which will break your heart and change you.

When Evelyn Gray, a lonely sixteen-year old from Carnation, Washington, overdoses, she wakes up in the hospital with her idol, Kurt Cobain, convalescing in the bed beside her, with no memory of his former life. Once united, they quickly become addicted to drugs and each other. They run off together and become infamous musicians. But as their celebrity grows, so does their jealousy and an incident of sexual violence explodes shockingly into murder.

From the author of the wildly controversial books Liar and Paul's Case comes one of the most anticipated — and perhaps, in some quarters, feared — books of the year. This is author Lynn Crosbie at her most honest, most cutting, most hilarious, and most heartbreaking. The stories told here are at once a cache, a repository, of a seven-year period in the author's life; and, too, a gymnasium, a place where she can flex her prodigious wit and her dazzling stash of literary tricks Deft with matters both low- and highbrow (here are stories about 80s big-hair bands and the lasting, theological value of the Rocky series; here, too are stories contemplating critical theory and fine art), Life Is About Losing Everything speaks with manic yet grave authority about risking and losing everything, and then sorting through the remains to discover what is beautiful, what is trash, and what, ultimately, belongs.

After bedtime a house comes alive as a lamp in the shape of a bird solves an array of problems including a leaky faucet, a creaking chair, and sneezing broom, all while the family sleeps.

VillainElle, like Miss Pamela's Mercy, is haunted by the figures of popular culture — Jack the Ripper, Betty and Veronica, Dracula. These are poems of the mouth: tasting and speaking, kissing to wound and kissing to heal.

This is the notorious antidote to those genteel collections of women’s erotica returned to print by Macfarlane, Walter & Ross. Lyrical and seductive, fantastical and playful, ferociously funny and brutally realistic, these thirty-nine pieces comprise Lynn Crosbie’s first collection: a provocative picture of contemporary female desire.

In Pearl, Lynn Crosbie examines the often unsettling regions of loss and despair, in haunting and compelling terms. Crosbie's language is seductive, elliptical, and unnerving. Experiencing Pearl is to give yourself over to Crosbie's world, at the risk of not returning.