Keith Carter

Anthology of brief "prose poems" by Rabindranath Tagore (1861-1941), first published in 1928. Tagore wrote: "Fireflies had their origin in China and Japan where thoughts were very often claimed from me in my hand-writing on fans and pieces of silk." Tagore may have been influenced by Japanese haiku poetry. "Fireflies" has also been described as a collection of meditations.

"Lauded as "a transcendent realist" and "a poet of the ordinary," Keith Carter is an internationally acclaimed photographer whose work has been shown in over one hundred solo exhibitions in. thirteen countries. At first finding his subjects in the familiar, yet exotic, places and people of his native East Texas, Carter has since expanded his range not only geographically, but also into realms of dreams and imagination, where objects of the mundane world open glimpses into ineffable realities." "In A Certain Alchemy, his tenth book, Keith Carter explores relationships that are timeless, enigmatic, and mythological. Drawing from the animal world, popular culture, folklore, and religion, Carter presents photographs that attempt to reflect hidden meanings in the real world. Accompanying the images is an introduction by Carter's friend and fellow photographer Bill Wittliff, who describes Carter's artistic journey and the epiphanies he has experienced. Patricia Carter, Keith's wife and muse, also offers her insights into the wellsprings of his work. In Keith Carter's own words, "A Certain Alchemy is a collection of imperfect observations of the relationship we have to our ideas of place, time, memory, desire, and regret. It is an anthology of oblique angles and awkward pauses that examines the history of photography and our own. shared natural histories.""--Jacket.

This book features nudes which reveal heretofore unknown aspect of the author's work.

Haunting in their mystery and beauty, Keith Carter's horses fill the frame like spirits in a dream--but without ever ceasing to be real horses. Whether he's photographing thoroughbreds preparing for the elaborate maneuvers of dressage or a farm nag grazing in a field, Carter meets horses on their terms, not his. Looking into their enigmatic eyes in these photographs, you wonder, "What are these creatures thinking?" until you realize that Keith Carter's horses never really give up their secrets. This volume collects some 75 duotone images of horses and riders, most of them never before published. Accompanying the pictures is a photographer's statement, in which Keith Carter describes the genesis of this project and muses on what it is about horses that draws him to them as photographic subjects. Distinguished art and photography critic John Wood places Carter's equine photos within the wider Western tradition of painting and photographing animals, while praising Carter's rare ability to portray animal subjects without producing kitsch. In his words, "Carter is probably photography's first truly great master of the animal photograph, and none of his other animal photographs are more powerful than his photographs of horses."

A serial killer leads authorities in Nevada to the graves of his women victims which he has secretly booby trapped. A grave explodes, killing several people and he escapes in the confusion, but reporter Irene Kelly survives and goes after him

In this his latest book, the artist Keith Carter explores a relationship often overlooked in today's world: the inherent kinship between man and animal. Both possess sentient power and spiritual presence. Yet each harbors the secret of an inner life that the other will never know. The photographs of Keith Carter are timeless, enigmatic and mythological. Heaven of Animals is not a photo-essay about men and their pets. Rather, it honors the ties that bind human beings to the creatures that share their world. Taken together these photographs create a visual relationship between the portraits of humans and those of animals that suggests a deep and abiding interdependence.

""In the beginning, there was no real plan, just a road trip that became a journey." In the years 1986 and 1987, Keith Carter and his wife, Patricia, visited one hundred small Texas towns with intriguing names like Diddy Waw Diddy, Elysian Fields, and Poetry. He says, "I tried to make my working method simple and practical: one town, one photograph. I would take several rolls of film but select only one image to represent that dot on my now-tattered map. The titles of the photographs are the actual names of the small towns. . . ." Carter created a body of work that evoked the essence of small-town life for many people, including renowned playwright and fellow Texan, Horton Foote. In 1988, Carter published his one town/one picture collection in From Uncertain to Blue, a landmark book that won acclaim both nationally and internationally for the artistry, timelessness, and universal appeal of its images—and established Carter as one of America's most promising fine art photographers. Now a quarter century after the book's publication, From Uncertain to Blue has been completely re-envisioned and includes a new essay in which Carter describes how the search for photographic subjects in small towns gradually evolved into his first significant work as an artist. He also offers additional insight into his creative process by including some of his original contact sheets. And Patricia Carter gives her own perspective on their journey in her amplified notes about many of the places they visited as they discovered the world of possibilities from Uncertain to Blue"--Amazon.com.

Keith Carter presents a photographic portrait of "Deep East Texas".