Alan Frank

"A novel from the author of A Separation, a taut and electrifying story about a woman caught between many truths. An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into explosive political fires: her work interpreting for a former president accused of war crimes becomes precarious as their relationship is unbound by shifting language and meaning. This woman is the voice in the ear of many, but what command does that give her, and how vulnerable does that leave her? Her coolly impassioned views on power, love, and violence, are tested, both in her personal intimacies and in her role at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her; it is her drive towards truth, and love, that throws into stark relief what she wants from her life"--

As a star, Clint Eastwood is recalled primarily for two early roles - the "Man with No Name" of three European-made Westerns and "Dirty" Harry Callahan, the uncompromising cop who spoke softly and carried a big gun in five movies. But like few other stars, Eastwood has shaped his own career by appearing almost exclusively in films he produced or co-produced, frequently under his own direction. No other contemporary dramatic star has directed himself so often. The interviews collected here range over the nearly three decades of Eastwood's directorial career. The emphasis is on practical filmmaking issues and on his philosophy of filmmaking.

"Debate over gender and especially the lives of men is currently at a fever pitch, particularly in the United States. New perspectives that capture the complexity of men and this rapidly changing gender landscape are therefore critical today. Psychoanalysis and Contemporary American Men challenges narrow stereotyped views of men by arguing that men are as complex and layered as women. In the light of the recent #MeToo movement, stereotypes of men are being recycled. While aligned with the spirit of this movement, the authors worry that negative stereotypes of men are being perpetrated at the very time that men are re-negotiating their gender experience. The authors present a critical non-heteronormative perspective addressing current gender transformations. Although the lives of men are changing, the stories that dominate the public sphere often represent them as narrowly phallic--controlling, detached, sexist, and homophobic. Seidman and Frank offer a counter point: men are also "guardians" driven to be useful and to do good, to live valued and purposeful lives. They argue that men are not only driven by a will to power but by an ethically-minded, relationally-oriented sense of responsibility to care for others, whether partners, children, or fellow citizens"--