Jess Walter

From its opening pages--when hero cop Brian Remy wakes up to find he's shot himself in the head--Jess Walter takes us on a harrowing tour of a city and a country shuddering through the aftershocks of a devastating terrorist attack. As the smoke slowly clears, Remy finds that his memory is skipping, lurching between moments of lucidity and days when he doesn't seem to be living his own life at all. Remy has a new girlfriend he doesn't know, a son who pretends he's dead, and an unsettling new job chasing a trail of paper scraps for a shadowy intelligence agency known as the Department of Documentation. Whether that trail will lead Remy to an elusive terror cell--or send him circling back to himself--is only one of the questions posed by this provocative yet deeply human novel.

Hero cop Brian Remy wakes up after shooting himself in the head-- and so begins a harrowing tour of a city and country shuddering through the aftershock of a devastating terrorist attack. "In the tradition of Franz Kafka, Joseph Heller, and Don DeLillo, comes this extraordinary story of searing humor and sublime horror, of blindness, bewilderment, and that achingly familiar feeling that the world has suddenly stopped making sense."--Publisher.

"On the last hot day of summer 1992, gunfire cracked over a rocky knob in northern Idaho, just south of the Canadian border. By the next day three people were dead, and a small war was joined, pitting the full might of federal law enforcement against one well-armed family. Drawing on extensive interviews with Randy Weaver's family, government insiders, and others, Jess Walter traces the paths that led the Weavers to their confrontation with federal agents and led the government to treat a family like a gang of criminals.". "This is the story of what happened on Ruby Ridge: the tragic and unlikely series of events that destroyed a family, brought down the number two man in the FBI, and left in its wake a nation increasingly attuned to the dangers of unchecked federal power."--BOOK JACKET.

In Every Knee Shall Bow, award-winning journalist Jess Walter takes the reader on a harrowing voyage from the homespun Iowa childhoods of Randy and Vicki Weaver to the shoot-out in which a decorated deputy U.S. marshal, the Weavers' fourteen-year-old son, Sammy, and their dog Striker were killed. He leads the reader moment by moment through the siege in which Vicki Weaver was fatally shot as she stood in the doorway of their cabin, her infant daughter in her arms. For in the deadly standoff on Ruby Ridge lie the racism, violence, religious intolerance, paranoia, hatred of government, and government abuse that continue to erupt in places like Waco and Oklahoma City. Drawing on interviews with the Weaver family and others, Walter traces the paths that led the Weavers to their confrontation with federal agents and the government to treating a family like a gang of criminals. With rare and remarkable insight, he takes us inside the minds of the Weavers and the federal agents and lays bare the truth behind the allegations of a cover-up. Every Knee Shall Bow tells the compelling, never-before-told story of undercover informants, blustery Green Berets, and the self-styled "gunfighter"-lawyer Gerry Spence, who brought his bombastic brilliance to Randy Weaver's defense. But at its root Every Knee Shall Bow is the story of what happened on Ruby Ridge, the tragic and unlikely series of events that destroyed a family, brought down the number-two man at the FBI, and left in its wake mysterious deaths, nervous breakdowns, and the unanswered question: Which is worse - racial hatred or overbearing government?

"We Live in Water, the first collection of short fiction from New York Times bestselling author Jess Walter, is a suite of diverse, often comic stories about personal struggle and diminished dreams, all of them marked by the wry wit and generosity of spirit that has made him one of our most talked-about writers. In "Thief," a blue-collar worker turns unlikely detective to find out which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. And the collection's final story transforms slyly from a portrait of Walter's hometown into a moving contemplation of our times."--from cover, p.

Meet Matt Prior. He's about to lose his job, his wife, his house, maybe his mind. Unless . . . In the winning and utterly original novels Citizen Vince and The Zero, Jess Walter ("a ridiculously talented writer"-New York Times) painted an America all his own: a land of real, flawed, and deeply human characters coping with the anxieties of their times. Now, in his warmest, funniest, and best novel yet, Walter offers a story as real as our own lives: a tale of overstretched accounts, misbegotten schemes, and domestic dreams deferred. A few years ago, small-time finance journalist Matthew Prior quit his day job to gamble everything on a quixotic notion: a Web site devoted to financial journalism in the form of blank verse. When his big idea-and his wife's eBay resale business- ends with a whimper (and a garage full of unwanted figurines), they borrow and borrow, whistling past the graveyard of their uncertain dreams. One morning Matt wakes up to find himself jobless, hobbled with debt, spying on his wife's online flirtation, and six days away from losing his home. Is this really how things were supposed to end up for me, he wonders: staying up all night worried, driving to 7-Eleven in the middle of the night to get milk for his boys, and falling in with two local degenerates after they offer him a hit of high-grade marijuana? Or, he thinks, could this be the solution to all my problems? Following Matt in his weeklong quest to save his marriage, his sanity, and his dreams, The Financial Lives of the Poets is a hysterical, heartfelt novel about how we can reach the edge of ruin-and how we can begin to make our way back.

A novel that spans fifty years. The Italian housekeeper and his long-lost American starlet; the producer who once brought them together, and his assistant. A glittering world filled with unforgettable characters.

Abril de 1962, Dee Moray, una bella actriz estadounidense de veintidós años, llega en barco, misteriosamente sola, al muelle de Porto Vergogna, al sur de Génova. Allí decide hospedarse en el pequeño hotel que regenta Pasquale, el no menos joven heredero de una modesta familia de restauradores italianos, donde conocerá a Alvis Bender, un novelista de mediana edad de cierto prestigio en los círculos literarios norteamericanos. Dee huye tras un inesperado embarazo que la ha obligado a ausentarse de la que ha sido su gran oportunidad en el mundo del cine: el rodaje de la superproducción "Cleopatra", de Joseph L. Mankiewicz, la película más cara de la historia, con Elizabeth Taylor y Richard Burton, en la que Dee iba a tener un papel secundario de peso. Sin embargo, la joven decide dejarlo todo y marchar a Italia, condicionando irremisiblemente su vida y acercándose a esas ruinas que solo pueden ser desgastadas por aquello mismo que las mantiene con vida: el irónico y veraz aliento del recuerdo.