Religion and postmodernism

Nots is a virtuoso exploration of negation and negativity in theology, philosophy, art, architecture, postmodern culture, and medicine. In nine essays that range from nihility in Buddhism to the embodiment of negativity in disease, Mark C. Taylor looks at the surprising ways in which contrasting concepts of negativity intersect.

In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully occasioned by a deconstructive analysis of the notion of archiving. The archival concept has of late played a pivotal role in critical debate. A place of origin, yet of perpetuity, a place of stasis and order, yet of discovery, the notion of archive houses a fascinating complex of diverse, and often disparate, meanings. As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.

French philosopher Derrida stares death in the face in this dense but rewarding inquiry. Beginning with an analysis of an essay on the sacred by Czech philosopher/human rights activist Jan Patocka, Derrida follows the development of moral and ethical responsibility, and the concept of the soul's immortality, in the transition from Platonism to Christianity. He then ponders the self's anticipation of death in sacrifice, war, orgiastic mystery cults, murder and execution, with reference to Kierkegaard's Fear and Trembling, Nietzsche, Heidegger's thought (a constant attempt to separate itself from Christianity'') and the biblical story of Abraham's contemplated sacrifice of his son, Isaac, at God's behest. In the most provocative section, Derrida links religious injunctions of sacrifice to the ``monotonous complacency'' of modern society, which allows tens of millions of children to die of hunger and disease.

"In Confidence Games, Mark C. Taylor extends the philosophy of culture that he has been developing for more than three decades to consider the implications of these phenomena for our digital and increasingly virtual economy. According to Taylor, money and markets do not exist in a vacuum but grow in a profoundly cultural medium, reflecting and in turn shaping their world. To understand the recent changes in our economy, therefore, it is not enough to analyze the impact of politics and technology - one must consider the influence of art, philosophy, and religion on markets as well." "Bringing John Calvin, Hegel and Adam Smith to Wall Street by way of Las Vegas, Taylor first explores the historical and psychological origins of money, the importance of religious beliefs and practices for the emergence of markets, and the unexpected role of religion and art in the classical understanding of economics. He then moves to an account of economic developments during the past four decades, exploring the dawn of our new information age, the growing virtuality of money and markets, and the complexity of the networks by which monetary value is now negotiated."--BOOK JACKET.