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Picador Books

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4.1
50 ratings
7
BOOKS
2,246
PAGES
~37h 26min
READING TIME

About Author

Russell Banks

Russell Earl Banks (March 28, 1940 – January 8, 2023) was an American writer of fiction and poetry. His novels are known for "detailed accounts of domestic strife and the daily struggles of ordinary often-marginalized characters". He drew from his own childhood in the working class, but also from the larger world, such as his years in Jamaica. His novels often reflect "moral themes and personal relationships". Banks was a member of the International Parliament of Writers and a member of the American Academy of Arts and Letters.

Description

A brilliant and powerful novel from the critically acclaimed author of Continental Drift that explores a small town's response to the inexplicable loss of its children in a school bus accident. "A novel of compelling moral suspense. . . ".--Los Angeles Times Book Review.

How the series evolves

beginning
The Sweet Hereafter
0.0· tough start
peak
Crónica de una muerte anunciada
4.1· best book in series
finale
Der Wind weht unsere Worte fort. Afghanische Betrachtungen
0.0· messes up the ending
overall
0.6· maybe series needed more care

Books in this Series

The Sweet Hereafter

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A brilliant and powerful novel from the critically acclaimed author of Continental Drift that explores a small town's response to the inexplicable loss of its children in a school bus accident. "A novel of compelling moral suspense. . . ".--Los Angeles Times Book Review.

Loon Lake

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It is the Great Depression of the 1930s, and a passionate young man from Paterson, New Jersey, leaves home to find his fortune. What he finds, on a cold and lonely night in the Adirondack Mountains, is a vision of life so different from his own that it changes his destiny, leading him from the side of a railroad track to a magical place called Loon Lake.

Crónica de una muerte anunciada

4.1 (50)
5

Also contained in: - [Collected Novellas](

Lives of the poets

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A dazzling account of the entire history of poetry in the English language -- from the fourteenth century to the present -- by one of the most intelligent and passionate critics in the field. Setting out to write his own homage to Samuel Johnson's legendary Lives of the English Poets of more than two hundred years ago, Michael Schmidt introduces us to the world tradition of poets who have written in English. From the rustic rhythms of Piers Plowman to today's postmodernists, from fifteenth-century Scotland to the contemporary Caribbean, Schmidt explores the lives and creations of more than three hundred poets, discussing their best (and sometimes worst) poems, their triumphs and tragedies, their individual genius. Here is the shared universe and work of so many great poets, including Chaucer, Donne, Blake, Behn, Burns, Wordsworth, Whitman, Dickinson, Rossetti, Yeats, Stevens, Lowell, Bishop, Ginsberg, Rich and Heaney, to name but a few. Schmidt also embraces the extraordinary poetry now emerging from Australia, New Zealand, India and other countries, and shows how these varied landscapes and cultures make their contributions to our common language. Tracing the themes and achievements of each poet's work, Schmidt demonstrates with wit and erudition how poets overshadow and inspire one another across the centuries. En route, he champions some unjustly neglected voices and outlines the ways in which history and politics intervene to shape (or sometimes misshape) the poetic imagination. With infectious enthusiasm and avoiding all fashionable jargon, Schmidt speaks unapologetically for a common language -- the language of poetry, which unites people across continents and across the ages. For anyone who has ever been moved by a poem, a rich and important book. From the Hardcover edition.

The Beautiful Room Is Empty

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1

When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age.