Evergreen original ;

"Jean Genet's The Screens, hailed by many to be Genet's masterpiece, was staged in Paris in 1966 by the Jean-Louis Barrault-Madeleine Renaud Company. During the several months of rehearsals which Genet attended, he wrote a series of letters and notes to Roger Blin giving his views on every aspect of the staging of The Screens. His comments deal with the details of that play and that production, but also transcend them. What the book adds up to is a precise and fascinating compilation of Jean Genet's concept of the theater."--Page 4 of cover.

The first surrealist romance, the principle narrative of Nadja is an account of the author's relationship with a girl in the city of Paris. The first-person narrative is supplemented by forty-four photographs of various surreal people, places, and objects which the author visits or is haunted by in Nadjar's presence, and which inspire him to meditate on their reality or lack of it.

"The effect of the Spanish Civil War on the lives of a group of anit-Franco exiles living in France, and still actively working for the overthrow of the dictatorship, is the subject of Alain Resnais' new film. Called an incomparable thriller by some critics, it is also a beautiful love story and a moving document of our time."--Back cover.

Released in 1959, Alain Renais's film, Hiroshima Mon Amour, was awarded the International Critics' Prize at the Cannes Film festival and the New York Film Critics' Award. The story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is also an exploration of the influence of war on both Japanese and French culture and the conflict between love and humanity. This book contains the complete script of the film, as well as Miss Duras' original synopsis and notes.

"This collection brings together five of Samuel Beckett's dramatic pieces, including a one-act stage play, two radio plays, and two mimes."--P. of cover.

The Theater And Its Double is a collection of essays by french poet and playwrite Anton Artaud. Published in 1938. Artaud intended his work as an attack on theatrical convention and the importance of language of drama, opposing the vitality of the viewers sensual experience against theater as a contrived literary form, and urgency of expression against complacency on the part of the audience.

An elderly millionairesse returns to her home town and turns what has been a depressed area into a boom town. Soon the townspeople realize they have become enmeshed in her vengeful plot: murder.