Evergreen original

"Jean Genet's The Screens, hailed by many to be Genet's masterpiece, was staged in Paris in 1966 by the Jean-Louis Barrault-Madeleine Renaud Company. During the several months of rehearsals which Genet attended, he wrote a series of letters and notes to Roger Blin giving his views on every aspect of the staging of The Screens. His comments deal with the details of that play and that production, but also transcend them. What the book adds up to is a precise and fascinating compilation of Jean Genet's concept of the theater."--Page 4 of cover.

"In the early 1960s, at the height of the British New Wave, director Tony Richardson and playwright John Osborne set out for more fanciful territory than the gritty realism of the movement they'd helped establish. Tom Jones brings a theatrical flair to Henry Fielding's canonical eighteenth-century novel, boisterously chronicling the misadventures of the foundling of the title (Albert Finney, in a career-defining performance), whose easy charm seems to lead him astray at every turn from his beloved, the wellborn Sophie Western (Susannah York). This spirited picaresque, evocatively shot in England's rambling countryside and featuring an extraordinary ensemble cast, went on to become a worldwide sensation, winning the Oscar for best picture on the way to securing its status as a classic of irreverent wit and playful cinematic expression"--Container.

When a ruthless political regime led by Vittori Santorini seizes control of a planet still recovering from an alien invasion, Kafari Khristinova takes on her former colleagues to free the world from the evil Santorini.

The first surrealist romance, the principle narrative of Nadja is an account of the author's relationship with a girl in the city of Paris. The first-person narrative is supplemented by forty-four photographs of various surreal people, places, and objects which the author visits or is haunted by in Nadjar's presence, and which inspire him to meditate on their reality or lack of it.

"The effect of the Spanish Civil War on the lives of a group of anit-Franco exiles living in France, and still actively working for the overthrow of the dictatorship, is the subject of Alain Resnais' new film. Called an incomparable thriller by some critics, it is also a beautiful love story and a moving document of our time."--Back cover.

Released in 1959, Alain Renais's film, Hiroshima Mon Amour, was awarded the International Critics' Prize at the Cannes Film festival and the New York Film Critics' Award. The story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is also an exploration of the influence of war on both Japanese and French culture and the conflict between love and humanity. This book contains the complete script of the film, as well as Miss Duras' original synopsis and notes.

The setting of Jean Genet's celebrated play is a brothel that caters to refined sensibilities and peculiar tastes. Here men from all walks of life don the garb of their fantasies and act them out: a man from the gas company wears the robe and mitre of a bishop; another customer becomes a flagellant judge, and still another a victorious general, while a bank clerk defiles the Virgin mary. These costumed diversions take place while outside a revolution rages which has isolated the brothel from the rest of the rebel-controlled city. In a stunning series of macabre, climactic scenes, Genet presents his caustic view of man and society.

The Theater And Its Double is a collection of essays by french poet and playwrite Anton Artaud. Published in 1938. Artaud intended his work as an attack on theatrical convention and the importance of language of drama, opposing the vitality of the viewers sensual experience against theater as a contrived literary form, and urgency of expression against complacency on the part of the audience.

this book is about mostly two anonymous people A and X and minor M. They are inside of this French chateau. The man believes he knows the woman and that they were in love and that they had planned to rendezvous here at this point in time but the woman does not remember this. The man goes about trying to convince her and jar her memory. Early French Surrealism at it's best.