CARAF books

Offered here for the first time in English is I, Tituba Black Witch of Salem, by Guadeloupean writer Maryse Conde. This wild and entertaining novel, winner of the 1986 Grand Prix Litteraire de la Femme, expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Conde brings Tituba out of historical silence and. Creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, "' who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her. Rich with postmodern irony, the novel even includes an encounter with Hester Prawn of Hawthorne's Scarlet Letter. Conde breaks new ground in both style and content. Transcending cultural and epochal boundaries, not only exposing the hypocrisy of Puritan New England but challenging us to look at racism and religious bigotry in contemporary America. This highly readable and ultimately joyful novel celebrates Tituba's unique voice, exploring issues of identity and the implications of Otherness in Western literary tradition. Its multiple layers will delight a wide variety of readers.

"Carrol F. Coates's translation, Waiting for the Vote of the Wild Animals, introduces English-language audiences to Kourouma's irreverent view of the machinations of the African dictators who played the West against the East during the thirty years of the cold war. Profiting from Western financial support, the dictators built palaces, shrines, and hunting preserves for their personal gratifiction as they paraded about with numerous mistreses, marabouts and advisors.". "In the style of a sere who sings the praises of the thirty-year career of the master hunter and president Koyaga (a fictionalized Gnassingbe Eyadema of Togo), Kourouma treats his readers to a brief overview of the French colonization of the "Naked people," hunters in West African mountain country, followed by an account of Koyaga's assumption of power through treachery, assassination, and sorcery. In an interview Kourmouma noted the Togolese assumption that if the people did not turn out to vote for Eyadema in the democratic elections following the cold war, the wild animals would come out of the forest to vote for him. The novel ends with an apocalyptic stampede, although the animals are probably fleeing a bush conflagration rather than running to the polls."--BOOK JACKET.