Ahmadou Kourouma

Quel sera le sort de Fama, authentique prince malinké, aux temps de l'indépendance et du parti unique ? L'ancien et le nouveau s'affrontent en un duel tout à la fois tragique et dérisoire tandis que passe l'histoire, avec son cortège de joies et de souffrances. Au-delà de la fable politique, Ahmadou Kourouma restitue comme nul autre toute la profondeur de la vie africaine, mêlant le quotidien et le mythe dans une langue réinventée au plus près de la condition humaine. Dès sa parution en 1970, ce livre s'est imposé comme un des grands classiques de la littérature africaine.

The "Suns of Independence" considered a masterpiece of modern African literature, enables the reader to gain unique insight into African culture and conflicts. Through Fama and Salimata, the husband and wife at the heart of the story, Kourouma conveys the confusion that torments many Africans when a traditional and a later, more materialistic culture collide. The last of the Dumbuya princes who had reigned over the Malinke tribe before the European conquest, Fama seeks a place for himself within the new hierarchy of bureaucrats and border guards. Salimata, haunted by memories of a ritualistic excision and a brutal rape, searches for the means to have a child who will pass on the Dumbuya legacy to future generations. Interwoven with tales and proverbs from the ancient Malinke traditions, this modern novel brilliantly captures the struggles, desires, and dreams of a people in a West African country living through the tumultuous days of Independence. -- Publisher description.

Birahima is ten years old. He lives in the Ivory Coast. He is a soldier. Birahima tells his story. At the age of ten his mother dies, and Birahima leaves his native village, accompanied by the sorcerer/crook Yacouba, to search for his aunt Mahan. Crossing the border into Liberia, they are seized by a rebel force and press-ganged into military service. Birahima is given a Kalashnikov, minimal rations of food, a small supply of dope and a tiny wage. Fighting in a totally chaotic civil war, and alongside many other boys, some no older than he, Birahima sees death, torture, amputation and madness, but somehow manages to retain his own sanity_Ahmadou Kourouma's masterpiece is powerful, terrible and frequently bitterly and blackly funny.

"Carrol F. Coates's translation, Waiting for the Vote of the Wild Animals, introduces English-language audiences to Kourouma's irreverent view of the machinations of the African dictators who played the West against the East during the thirty years of the cold war. Profiting from Western financial support, the dictators built palaces, shrines, and hunting preserves for their personal gratifiction as they paraded about with numerous mistreses, marabouts and advisors.". "In the style of a sere who sings the praises of the thirty-year career of the master hunter and president Koyaga (a fictionalized Gnassingbe Eyadema of Togo), Kourouma treats his readers to a brief overview of the French colonization of the "Naked people," hunters in West African mountain country, followed by an account of Koyaga's assumption of power through treachery, assassination, and sorcery. In an interview Kourmouma noted the Togolese assumption that if the people did not turn out to vote for Eyadema in the democratic elections following the cold war, the wild animals would come out of the forest to vote for him. The novel ends with an apocalyptic stampede, although the animals are probably fleeing a bush conflagration rather than running to the polls."--BOOK JACKET.