Irène Assiba d'Almeida

French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '70s, followed by a creative explosion in the '80s that d'Almeida describes as a militant feminist appropriation of the written word. D'Almeida's book, the first single-author critical study in English of literary expression by Francophone African women, examines novels and autobiographies by nine new and established writers, all published since 1975. She finds that writing has liberated Francophone African women. They use it to critique the patriarchal order, to champion the cause of women and the community, and to preserve positive aspects of tradition. . D'Almeida divides her analysis into sections on three aspects of literary production. The first deals with autobiography and begins with A Dakar Childhood, by Nafissatou Diallo, the first Francophone African woman to write her own life history. The section also examines The Abandoned Baobab, by Ken Bugul, a book that broke sexual taboos, and My Country, Africa, by Andree Blouin. In the second section the author looks at women and the family, including problems related to "compulsory" motherhood. She discusses Your Name Will Be Tanga, by Calixthe Beyala, Cries and Fury of Women, by Angele Rawiri (both published only in French), and Scarlet Song, by Mariama Ba. The third section, "W/Riting Change: Women as Social Critics," discusses the ways female novelists link problems that affect women's lives to those affecting society at large. It examines works in French by Werewere Liking, Aminata Sow Fall, and Veronique Tadjo.

"Although the past two decades have seen a wide recognition of the notable fiction written in French by African women, little attention has been given to their equally significant poetry. A Rain of Words is the first comprehensive attempt to survey the poetic production of these women, collecting work by forty-seven poets from a dozen francophone African countries. Some are established writers; others are only beginning to publish their work. Almost none of the poems here have been published outside of Africa or Europe or been previously translated into English. The poems are accompanied by brief biographies of the poets, a glossary, and an extensive bibliography. Supplementing these are a critical introductory essay by Irene Assiba d'Almeida that places women's poetry in the context of recent African history, characterizes its thematic and aesthetic features, and traces the process by which the anthology was compiled and edited, and an essay by Janis A. Mayes discussing language politics, the cultural contexts within which the poetry emerges, and literary translation strategies." "This landmark bilingual collection - the result of ten years of research, collection, editing, and translation - offers readers of English and French entry into a flourishing and essential genre of contemporary African literature."--Jacket.