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Drei Studien zu Hegel

Le Principe espérance, tome 1
On the Pragmatics of Communication
The Liberating Power of Symbols
The Inclusion of the Other
Solidarity
The dialectics of seeing
Self-consciousness and self-determinantion
The principle of hope. Vol.3
Critique and Power
Between Philosophy and Social Science
Vorstudien und Ergänzungen zur Theorie des kommunikativen Handelns
Moral consciousness and communicative action
Cultural-political interventions in the unfinished project of enlightenment
Communicative action
Praktische Intersubjektivität
Gadamer's century
Inclusion of the Other
Nachmetaphysisches Denken
The crisis of parliamentary democracy
History and structure
The utopian function of art and literature
Drei Studien zu Hegel
Wissenschaftsorganisation und politische Erfahrung
Zur Logik der Sozialwissenschaften
Naturrecht und menschliche Würde
The new conservatism
Moral Conciousness and Communicative Action
Kampf um Anerkennung
Hegel's ontology and the theory of historicity
Philosophical interventions in the unfinished project of enlightenment
The philosophical discourse of modernity
The critique of power
Philosophisch-politische Profile
Justification and Application
The persistence of modernity
Prismen
Strukturwandel der Öffentlichkeit
Contradictions of the welfare state
Zur Metakritik der Erkenntnistheorie
Observations on "the spiritual situation of the age"
Communicative Ethics Controversy
Disorganized capitalism
Philosophical-Political Profiles
Fragments of modernity
Habermas and the Public Sphere
Understanding and explanation
G. H. Mead
Crisis of Parliamentary Democracy
Die postnationale Konstellation
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160
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~2h 40min
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English
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MIT Press 3 views
ISBN
0262510804, 9780262510806
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Paperback
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About Author

Theodor W. Adorno

Theodor W. Adorno (; German: [ˈteːodoːɐ̯ aˈdɔʁno] ; born Theodor Ludwig Wiesengrund; 11 September 1903 – 6 August 1969) was a German philosopher, cultural, and music critic. He was a leading member of the Frankfurt School of critical theory, whose work has come to be associated with thinkers such as Ernst Bloch, Walter Benjamin, Max Horkheimer, Erich Fromm, and Herbert Marcuse, for whom the works of Sigmund Freud, Karl Marx, and G. W. F. Hegel were essential to a critique of modern society. As a critic of both fascism and what he called the culture industry, his writings—such as Dialectic of Enlightenment (1947), Minima Moralia (1951), and Negative Dialectics (1966)—strongly influenced the European New Left. In an intellectual climate shaped by existentialism and logical positivism, Adorno developed a dialectical conception of history and philosophy that challenged the foundations of both, anticipating the divide that would later emerge between the analytic and continental traditions. As a classically trained musician, Adorno studied composition with Alban Berg of the Second Viennese School, influenced by his early admiration for the music of Arnold Schoenberg.

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A historical occasion like the 125th anniversary of Hegel's death could have elicited what we call an "appreciation."...

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