Tzvetan Todorov

93 p. : 19 cm

In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.

"In Life in Common Tzvetan Todorov explores the construction of the self and offers new perspectives on current debates about otherness. Through the seventeenth century, solitude was considered the human condition in the Western philosophical tradition. The self was not dependent on others to perceive itself as complete. Todorov sees a reversal of this thinking beginning with the writings of Jean-Jacques Rousseau in the eighteenth century. For the first time the self was defined as incomplete without the other, the fundamental requisite for human identity. Todorov traces the far-reaching implications of Rousseau's new vision of the self and society through the political, philosophical, and psychoanalytical theories of Adam Smith, Georg Wilhelm Friedrich Hegel, Georges Bataille, Melanie Klein, and others, and the relevant literary works of Karl Philipp Moritz, the Marquis de Sade, and Marcel Proust. In a study of the bond between parent and child, Todorov develops a compelling vision of the self as social."--BOOK JACKET.

"This illuminating analysis by one of the world's leading intellectuals addresses fundamental questions about the new world disorder exemplified by the war on terrorism, the Iraq conflict and its aftermath, and the current state of transatlantic relations."--Jacket.

"Can humanity be divided into good and evil? And if so, is it possible for the good to vanquish the evil, eradicating it from the face of the Earth by declaring war on evildoers and bringing them to justice? Can we overcome evil by the power of memory? In Memory as a Remedy for Evil, Tzvetan Todorov answers these questions in the negative, arguing that despite all our efforts to the contrary, we cannot be delivered from evil. In this work on evil, memory and justice, Todorov examines the uses of memory and the spate of memorial laws in France in order to show how memory has failed as a remedy against evil and how efforts to come to grips with past evil through trials and punitive justice have failed as well. Todorov locates the fatal flaw of all these approaches in our erroneous relationship with evil as alterity, the distinction that we draw between ourselves and others that allows us to imagine ourselves in the appealing role of hero and victim and confine others to the role of villain and criminal. Similarly, in his analysis of the South African Truth and Reconciliation Commission and Cambodia's Khmer Rouge Tribunal, Todorov argues in favor of restorative justice, which "seeks not to punish but to restore relations that should never have been interrupted" between former perpetrators and former victims. Memory as a Remedy for Evil is a powerful and timely work that asks that we recognize the good and evil within each of us--and reminds us that it is only by coming to terms with evil and trying to understand it that we can hope to tame it."--Publisher's website.

"In Voices from the Gulag, Tzvetan Todorov singles out the experience of one country where the concentration camps were particularly brutal and emblematic of the horrors of totalitarianism - communist Bulgaria.". "The voices we hear in this book are mostly from Lovech, a rock quarry in Bulgaria that became the final destination for several thousand men and women during its years of operation from 1959 to 1962. The inmates, though drawn from various social, professional, and economic backgrounds, shared a common fate: they were torn from their homes by secret police, brutally beaten, charged with fictitious crimes, and shipped to Lovech. Once there, they were forced to endure backbreaking labor, inadequate clothing, shelter, and food, systematic beatings, and institutionalized torture.". "We also hear from guards, commandants, and bureaucrats whose lives were bound together with the inmates in an absurd drama. Regardless of their grade and duties, all agree that those responsible for these "excesses" were above or below them, yet never they themselves. Accountability is thereby diffused through the many strata of the state apparatus, providing legal defenses and "clear" consciences. Yet, as the concluding section of interviews - with the children and wives of the victims - reminds us, accountability is a moral and historical imperative"--BOOK JACKET.

"Imperfect Garden is both an approachable intellectual history and a bracing treatise on how we should understand and experience our lives. In it, one of Europe's most prominent intellectuals explores the foundations, limits, and possibilities of humanist thinking. Through his critical but sympathetic excavation of humanism, Tzvetan Todorov seeks an answer to modernity's fundamental challenge: how to maintain our hard-won liberty without paying too dearly in social ties, common values, and a coherent and responsible sense of self." "Placing the history of ideas at the service of a quest for moral and political wisdom, Todorov's compelling and no doubt controversial rethinking of humanist ideas testifies to the enduring capacity of those ideas to meditate on - and, if we are fortunate, cultivate - the imperfect garden in which we live."--BOOK JACKET.

"Rousseau is often said to have "discovered and invented our modernity," and Todorov's interpretation of Rousseau centers on the question of what sort of life we can live in modern times. Like modernity itself, the answer is complex: there are several ways of life Rousseau contemplates and that Todorov considers along with him. Rousseau juxtaposes the life of the citizen and that of the solitary individual, and then, Todorov shows us, he reveals a "third way": that of the moral individual. Todorov explores these ways of life and their relevance for us two centuries after Rousseau. Although all have commendable features, it is the third way, that of the moral individual - the path laid out in Rousseau's novel, Emile - that the philosopher recommends without reservation."--BOOK JACKET.