Steve Aylett

The personal and professional lives of low-budget filmmaker Mimi and septuagenarian erotica writer Eleanor intersect in the wake of Eleanor's partner's death, Mimi's drug-dealer boyfriend's disappearance, and an illegal immigrant's murder.

121 p. : 20 cm

Jeff Lint was author of some of the strangest and most inventive satirical SF of the twentieth century. He transcended genre in classics such as Jelly Result and The Stupid Conversation, becoming a cult figure and pariah. Like his contemporary Philip K. Dick, he was blithely ahead of his time. Aylett follows Lint through his Beat days; his immersion in pulp SF, psychedelia and resentment; his disastrous scripts for Star Trek and Patton; the controversies of The Caterer comic and the scariest kids' cartoon ever aired; and his belated Hollywood success in the 1990s. It was a career haunted by death, including the undetected death of his agent, the suspicious death of his rival Herzog, and the unshakable 'Lint is dead' rumors, which persisted even after his death.

Full of sass and sarcasm, ultra-cool Dante Cubit and his pill-popping sidekick, the Entropy Kid, waltz into First National with some serious attitude and a couple of snub guns. Within minutes, another (timetraveling) Dante appears - inside the bank vault - and the heist is on. But something's not right. Is it all just a virtual reality prank of Dante's hacker pal, Download Jones? Have Dante and the Kid really heisted the bank? What follows is a tangle of reality and virtual reality. Adding to the fireworks is the very real hitman Brute Parker, hot on the trail and out to exterminate Dante - or is it Dante Two - his rival for the love of the captivating assassin Rosa Control.