Siri Hustvedt

Autobiographie. Essai

When Erik Davidsen and his sister, Inga, find a disturbing note from an unknown woman among their dead father's papers, they believe he may be implicated in a mysterious death. The Sorrows of an American tells the story of the Davidsen family as brother and sister uncover its secrets and unbandage its wounds in the year following their father's funeral. A multi-layered novel that probes the mysteries of the heart and mind, "The sorrows of an American" is breathtaking in its range, richly thought-provoking and profoundly affecting a novel that resonates long beyond the last page.

In Mysteries of the Rectangle, Hustvedt concentrates her narrative gifts on the works of such masters as Francisco Goya, Jan Vermeer, Jean-Baptiste-Siméon Chardin, Gerhard Richter, and Joan Mitchell. Through her own personal experiences, Hustvedt is able to reveal things until now hidden in plain sight: an egglike detail in Vermeer's Woman with a Pearl Necklace and the many hidden self-portraits in Goya's series of drawings, Los Caprichos, as well as in his infamous painting The Third of May. Most importantly, these essays exhibit the passion, thrill, and sheer pleasure of bewilderment a work of art can produce—if you simply take the time to look.

"What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work and tracks down the artist, Bill Wechsler, and the two men embark on a lifelong friendship.". "Leo's story, which spans twenty-five years, follows the evolution of the growing involvement between his family and Bill's - an intricate constellation of attachments that includes the two men, their wives, Erica and Violet, and their children, Matthew and Mark. The families live in the same building in New York, share a house in Vermont during the summer, keep up a lively exchange of thoughts and ideas, and find themselves permanently altered by one another. Over the years, they not only enjoy love but endure loss - in one case, sudden, incapacitating loss; in another, a different kind, one that is hidden and slow growing, and which insidiously erodes the fabric of their lives."--BOOK JACKET.

In a small Minnesota town, a tale of love and intrigue whose protagonist is Lily Dahl, a young actress. The cafe where she works is a meeting place for eccentrics and a New York artist who has come to paint them, with whom Lily has an affair. But one customer is a murderer and Lily turns sleuth.

The following is a description of Where You Once Belonged by Kent Haruf, not this book! The red Cadillac pulled down Main Street and sat by the tavern for hours, unnoticed. Then Ralph Bird of the Men's Store recognized the driver as Jack Burdette and bolted to the sheriff's office. The prodigal son of Holt, Colorado, had returned - and he was far from welcome. In Where You Once Belonged, acclaimed novelist Kent Haruf tells of a small-town hero who is dealt an enviable hand - and cheats with all of the cards. In prose as lean and supple as a spring switch, Haruf describes a high school football star who wins the heart of the loveliest girl in the county and the admiration of men twice his age. Fun-loving, independent, Burdette engages in the occasional prank. But when he turns into a man, his high jinks into crimes - with unspeakable consequences. Now, eight years later, Burdette has returned to commit his greatest trespass of all. And the people of Holt may not be able to stop him. Deftly plotted, defiantly honest, Where You Once Belonged sings the song of a wounded prairie community in a narrative with the earmarks of a modern American classic. From the paperback cover.

Mia is forced to reexamine her life when her husband puts their marriage on "pause" after thirty years. She returns to the prairie town of her childhood, and is drawn into the lives of those around her.

Artist Harriet Burden, consumed by fury at the lack of recognition she has received from the New York art establishment, embarks on an experiment: she hides her identity behind three male fronts who exhibit her work as their own. And yet, even after she has unmasked herself, there are those who refuse to believe she is the woman behind the men.

This collection combines in a single work Hustvedt's trilogy of essays which draw in insights from both the sciences and the humanities. Among the subjects she explores are the biases that influence how we judge art, literature, and the world; how mind-body problems have shaped contemporary thought in the sciences; and an analysis of suicide.

71 p. : 21 cm