Rosel George Brown

Danger Dimension - novelette by Stanley Mullen Zeritsky's Law - short story by Ann Warren Griffith [as by Ann Griffith] With These Hands - novelette by C. M. Kornbluth The Trouble with Ants - novelette by Clifford D. Simak (variant of The Simple Way) The Isolationists - short story by Robert Silverberg [as by George Osborne] Venus Is a Man's World - novelette by William Tenn A Gift from Earth - short story by Manly Banister Judas Ram - short story by Sam Merwin, Jr. Finders Keepers - short story by Milton Lesser The Rag and Bone Men - short story by Algis Budrys One Leg Is Enough - short story by Kris Neville She Who Laughs - short story by Peter Phillips

"Bending and stretching its conventions to imagine new, more feminist futures and new ways of experiencing gender, visionary women writers have been from the beginning an essential if often overlooked force in American science fiction. Two hundred years after Mary Shelley's Frankenstein, SF-expert Lisa Yaszek presents the best of this female tradition, from the pioneers of the Pulp Era to the radical innovators of the 1960s New Wave, in a landmark anthology that upends the common notion that SF was conceived by and for men. Here are 25 mind-blowing SF classics that still shock and inspire: Judith Merril and Wilmar H. Shiras's startling near-future stories of the children of the new atomic age; Carol Emshwiller and Sonya Dorman's haunting explorations of alien otherness; dystopian fables of consumerism and overpopulation by Elizabeth Mann Borgese and Alice Glaser; evocations of cosmic horror from Margaret St. Clair and Andrew North (Andre Norton); and much more. Other writers here take on some of SF's sexist clichés and boldly rethink sex and gender from the ground up. C. L. Moore and Leslie Perri introduce courageous, unforgettable "sheroes"; Alice Eleanor Jones sounds a housewife's note of protest against the conformities of life in a postapocalyptic suburb; Leslie F. Stone envisions an interplanetary battle of the sexes, in which the matriarchs of Venus ward off unprovoked attacks by barbaric spacemen from Earth; John Jay Wells and Marion Zimmer Bradley wonder how future military men will feel about their pregnancies. The Future Is Female! is a star-spanning, soul-stirring, multidimensional voyage of literary-feminist exploration and recovery that will permanently alter your perceptions of American SF."--Publisher's website.

A thundering "space opera" in the old-fashioned tradition of Science Fiction: redolent with people who vault across galactic distances, villainous engines of destruction, and a universe populated by humans, humanoids, monsters-tailed, scaled, and properly tentacled. The story begins in the year 13,000 A.D. The central character is Roan, a pure-strain human, who, as a boy, is kidnapped by the owner of a freak show and sent on a "summer stock" tour by means of spaceship. This weird interplanetary circus troupe is suddenly pirated by another vessel. But its outlaw Commander, the dashing Henry Dread, turns out to be a pure-strain human, and he instantly takes a liking to our youthful hero. From here on out, Earthblood explodes with wild cascades of pure adventure and excitement—the reader follows Dread and Roan as they wander through the universe, sacking planets, keeping a sharp look-out for errant pure-strains, landing at last on the planet Terra, where—to their endless horror—the two realize exactly who the broken-down, corrupt, and decadent inhabitants are: their fellow human-beings. This romping, rumbustious adventure will seem like an old friend to those readers who have been hunting in vain for a complete work of science fiction.