Robyn R. Warhol

This anthology offers virtually the entire collection of literature by American women and is by far the widest ranging and most diverse. Arranged chronologically, it includes a broad range of selections including fiction, poetry, essays, diaries, letters, autobiographies, oratory, and journalism, spanning the colonial days to the present. These writers represent women's writing at its highest level of accomplishment.

"Under the bold banner of Narrative Theory Unbound: Queer and Feminist Interventions, editors Robyn Warhol and Susan S. Lanser gather a diverse spectrum of queer and feminist challenges to the theory and interpretation of narrative. The first edited collection to bring feminist, queer, and narrative theories into direct conversation with one another, this anthology places gender and sexuality at the center of contemporary theorizing about the production, reception, forms, and functions of narrative texts. Through twenty-one essays prefaced by a cogent history of the field, Narrative Theory Unbound offers new perspectives on narrative discourse and its constituent elements; on intersectional approaches that recognize race, religion, and national culture as integral to understanding sexuality and gender; on queer temporalities; on cognitive research; and on lifewriting in graphic, print, and digital constellations. Exploring genres ranging from reality TV to fairy tales to classical fiction, contributors explore the thorny, contested relationships between feminist and queer theory, on the one hand, and between feminist/queer theory and contemporary narratologies, on the other. Rather than aiming for cohesiveness or conclusiveness, the collection stages open-ended debates designed to unbind the assumptions that have kept gender and sexuality on the periphery of narrative theory."--Publisher's description.

A collection of original essays establishing how wide the intellectual boundaries of narrative theory have become, the Edinburgh Companion to Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. The book brings founders of the field of post-classical narrative theory together with established scholars who have made significant changes in the understanding of narrative and younger scholars who are putting narrative theories to use on new media forms and new literatures. This is the first anthology to consider what narrative is and what it can do in the wake of various turns in literary studies (the affective, the posthuman, the cognitive) which have been emerging in the context of digital media and algorithmic capital. Narrative genres persist, and they continue to do vital work in the world. Narrative theories provide the vocabulary for talking about how that work gets done.