Rawi Hage

During a bitterly cold winter in a snowy northern city, a self-confessed thief has just tried to commit suicide by hanging himself from a tree in the local park. Rescued against his will and obliged to attend sessions with a well-meaning but naive therapist, our narrator tells her – and us – his heartrending and hallucinatory story.From his childhood in a war-torn Arab country, to his current life in the smoky emigre cafes of his new city, Cockroach traces our narrator's journey – his longing for a place in the world, his guilt over his sister's death at the hands of her husband, and his love for an Iranian woman, Shoreh, whose life is also a flight from the darkness of the past. As the stories in this remarkable book converge, our narrator must confront the events of the past in the form of another moral but potentially murderous dilemma in the present . . .

"The Beirut Hellfire Society is a short and brilliant return to the world Rawi Hage first imagined in his extraordinary, award-winning first novel De Niro's Game, winner of the Dublin IMPAC Award, an international bestseller, finalist for the Giller, GG, and Writers' Trust, and widely considered a Canadian classic. Since publishing De Niro's Game more than a decade ago, Hage has followed up with two award-winning and acclaimed novels set in Montreal's immigrant community: Cockroach (shortlisted for the Giller Prize), and Carnival (shortlisted for the GG and Writers' Trust Fiction prizes). Now, with The Beirut Hellfire Society, Hage makes a stunning and mature return to war torn Beirut of the 1970s, during the Civil War. Our protagonist, Pavlov, is the twenty-something son of an undertaker and as such has watched funeral processions pass below his window throughout his childhood. When his father dies, Pavlov is summoned by his former teacher, Mr. Tarraff, and tasked with providing bu rials that, for a variety of reasons--because the deceased is homosexual, or an outcast, or abandoned by their family, or an atheist--must happen in secret. The society that arranges such burials is a hidden anti-religious sect called the Beirut Hellfire Society. Pavlov accepts this assignment, and over the course of the novel acts as a survivor-chronicler of his torn and fading community, bearing witness to both its enduring rituals and its inevitable decline. As Hage writes: "This is my first novel in the third person. Combining tragedy and comedy, it draws together my thoughts on living through war ...I am questioning the importance of what we may seek, and what we are able to preserve--if anything--in the face of certain change and certain death." In short, this is a spectacular and timely new work from one of our major writers, and a mature, exhilarating return to some of the themes the author began to explore in his transcendent first novel, De Niro's Game--providing bu

In the Christian part of Beirut, torn by civil war, two befriended young men make a different choice about whether to flee or join the fight.