Rachel Ingalls

In the wake of attacks on local Asian vendors and an increase in black-market ingredients that threaten the Dordogne's lucrative truffle trade, Chief of Police Bruno finds the case taking a personal turn when one of his hunting partners, a former high-profile intelligence agent, is murdered.

Members of three Tanzanian generations — traditional, transitional, modern — work through old problems at the start of the 21st century.

On holiday in Portugal, to take their daughter’s mind off a troubled love affair, the Channing family are befriended by the hospitable Baronesa Narvao—but soon find her hospitality something of an embarrassment. (

In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research... Reviewers have compared Rachel Ingalls's Mrs. Caliban to King Kong, Edgar Allan Poe's stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates's domestic realism, B-horror movies, and the fairy tales of Angela Carter--how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

In these five stories, prototypes from the ancient world cast a shadow over our age. Cupid and Psyche, Penelope, Oedipus, Icharus and Odysseus inhabit the consciousness of characters who wrestle with betrayal, sacrifice, family conflict and war.

In a world where half the population is likely to be excluded from international human rights guarantees, where unpaid work is given no economic value, where parliamentary process denies women a voice - in such a world truths masquerade as lies. Marilyn Waring writes, in these three essays, of the pretences that create and sustain inequality. Three Masquerades identifies some central myths that promote inequality, and explodes them with an accuracy that is at once devastating and humane.

"The reader follows folklorist Stan Binstead and his unwanted wife Millie into the bush and watches her transformation, by virtue of a new haircut and a couple of smashing outfits, from dependence to self-awareness. Millie becomes the admired center of the expedition; more significantly, she meets and falls in love with Henry Lewis, the fabled hunter about whose person has grown up precisely the lore that Stan has set out to research. Nicknamed Simba (Bantu for lion), Lewis is envied, even hated, by the other hunters, but made one of their own by the beasts of the bush, a rite of passage he transfers to the woman he has chosen. As the hunting party, frozen, looks on, a lion materializes from the thicket of trees, glides up to Millie, as if to memorize her, then suddenly turns and streaks away. The scene glows, like a painting in primary color. Deep in the forest a dark and subtle magic is taking place, and thereby hangs this impressive tale, taut with the thrill of the hunt and the spell of the unknown"--Publisher's Weekly online review.