Paul Henry Lang

Arriving in the United States at age twenty-seven, Hungarian-born Paul Henry Lang (1901-1991) went on to exert a powerful influence on musical life and scholarship in his adopted country for more than six decades. As professor of musicology at Columbia University, editor of the Musical Quarterly, a founder of the American Musicological Society, and chief music critic of the New York Herald Tribune, Lang became one of America's foremost musical scholars and commentators. This anthology of his previously uncollected writings includes essays written throughout his career on a full array of music subjects, as well as unpublished chapters of the book on performance practice that he was writing at the time of his death.

Anthology collection of classical symphonies spanning 1800-1900.

A comprehensive report on every aspect of American musical life, written by seventeen specialists in various fields.

This monumental history of Western music and musical culture has stood for the past half-century as the definitive work of its kind. Vast in scope, it begins with the music of ancient Greece and carries through the first decades of the twentieth century. Rather than viewing music in isolation, the author presents it as one of the many arts that, taken in conjunction, form the essence of the artistic spirit of an era.

The papers in this collection were presented at a symposium sponsored by the Conference on British Studies at the University of Delaware. Six leading experts on different aspects of eighteenth-century Britain wrote on a general theme which cuts across traditional disciplinary boundaries. This theme is the lot of the ordinary individual in eighteenth-century society. This collection provides a wealth of information and valuable insights for the scholar of eighteenth-century Britain.

For the last twenty-three years of Igor Stravinsky's incredibly full life, the noted musician, conductor, and writer Robert Craft was his closest colleague and friend, a trusted member of the Stravinsky household, and an important participant in virtually all of the composer's worldwide activities. Throughout these years, Craft kept a detailed diary, impressive in its powers of observation and characterization. This diary forms the basis for Stravinsky: Chronicle of a Friendship, now released in this substantially revised and enlarged edition. The original edition of this classic memoir has long been out of print. This new revised edition extends the material by more than a third. The text now includes several previously unpublished and historically important letters from prominent musicians, including Arnold Schoenberg, Luigi Dallapiccola, and Glenn Gould. More than fifty photographs and drawings (fourteen in color), most of them previously unpublished, illustrate the new edition. Each of the first twenty-three chapter-years now ends with a Postscript that provides supplementary information and a reflective connecting thread to the text. Craft has also added a Postlude in which he shares important moments of his friendship with Vera Stravinsky during the last years of her life. The whole Chronicle offers both a personal testament and an expansive embrace of the author's world.