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Jun 22, 1901 — Oct 11, 1971· 70 yrs

UNITED KINGDOM AUTHOR · ARCHITECTURE, · ART

Rudolf Wittkower

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Rudolf Wittkower (22 June 1901 – 11 October 1971) was a British art historian specializing in Italian Renaissance and Baroque art and architecture, who spent much of his career in London, but was educated in Germany, and later moved to the United States. Despite having a British father who stayed in Germany after his studies, he was born and raised in Berlin.

Berlin, United Kingdom
Wikipedia

RENAISSANCE ARCHITECTURE is nowadays usually interpreted in terms which stress its worldliness.

— from Architectural principles in the age of humanism, 1949

Most acclaimed

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Art and architecture in Italy, 1600 to 1750

1958

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Man versus society in eighteenth-century Britain: six points of view

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The papers in this collection were presented at a symposium sponsored by the Conference on British Studies at the University of Delaware. Six leading experts on different aspects of eighteenth-century Britain wrote on a general theme which cuts across traditional disciplinary boundaries. This theme is the lot of the ordinary individual in eighteenth-century society. This collection provides a wealth of information and valuable insights for the scholar of eighteenth-century Britain.

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Bernini

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"Gianlorenzo Bernini (1598-1680), architect, painter, but above all sculptor, had a career that spanned almost three quarters of a century. He worked under six different popes and was instrumental in the ornamentation of Baroque Rome, from the colonnade of St. Peter to the fountains in piazza Navona and piazza di Spagna, from the many stunning sculptural groups in the churches and palaces of Rome to the dozens of 'speaking portraits', which depict cardinals, popes, kings and intellectuals of his time. The Galleria Borghese, home of many works by Bernini, including some of his world-famous groups such as Apollo and Daphne, The Rape of Proserpina and David, will host a major exhibition on the sculptures of this extraordinary artist. Exceptional in scope and scholarship, the catalogue analyses many different aspects of Bernini's output, focusing on the many innovations he introduced. It also devotes studies to the critical reception of Bernini and to his relationships with friends and patrons (a dictionary of these is included at the end of the book). Accompanies an exhibition in Rome, Galleria Borghese, from 31 October 2017 to February 2018."--

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