Pat Barker

When Tom Seymour, a child psychologist, plunges into a river to save a young man from drowning, he unwittingly reopens a chapter from his past he'd hoped to forget. For Tom already knows Danny Miller - when Danny was ten Tom helped imprison him for the killing of an old woman. Now out of prison with a new identity, Danny has some questions - questions he thinks only Tom can answer. Reluctantly, Tom is drawn back into Danny's world - a place where the border between good and evil, innocence and guilt is blurred and confused. But when Danny's demands on Tom become extreme, Tom wonders whether he has crossed a line of his own - and in crossing it, can he ever go back?

Regeneration: When Dr William Rivers treats a patient at a mental hospital who has spoken out against World War I, the relationship that develops between them makes them debate the logic of their respective positions. Thus the doctor questions the sanity of the war which is his duty to return his patients to. The eye in the door: Drawing of the history of the Pemberton Billing libel trial in which all Britain's military troubles were laid at the door of the British homosexuals, themes of persecution and prejudice are explored alongside questions of class and identity. The ghost road: Based on a mix of real and imagined characters and events, this book concentrates on Sarah, a young woman working in a munitions factory, and on Wilfred Owen. The position of women has been a sub-theme throughout the books and here it moves to the forefront.

The final book in the Regeneration Trilogy and winner of the 1995 Booker Prize, The Ghost Road is the culminating masterpiece of Pat Barker's towering World War I fiction trilogy. The time of the novel is the closing months of the most senselessly savage of modern conflicts. In France, millions of men engaged in brutal trench warfare are all "ghosts in the making." In England, psychologist William Rivers, with severe pangs of conscience, treats the mental casualties of the war to make them whole enough to fight again. One of these, Billy Prior, risen to the officer class from the working class, both courageous and sardonic, decides to return to France with his fellow officer, poet Wilfred Owen, to fight a war he no longer believes in. Meanwhile, Rivers, enfevered by influenza returns in memory to his experience studying a South Pacific tribe whose ethos amounted to a culture of death. Across the gulf between his society and theirs, Rivers begins to form connections that cast new light on his--and our--understanding of war. Combining poetic intensity with gritty realism, blending biting humor with tragic drama, moving toward a denouement as inevitable as it is devastating, The Ghost Road both encapsulates history and transcends it. It is a modern masterpiece. (From amazon.com)

The second installment in the Regeneration Trilogy London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men – pacifists, objectors, homosexuals – conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before – army psychiatrist William Rivers – Prior must confront his inability to be the dutiful soldier his superiors wish him to be...The Eye in the Door is a heart-rending study of the contradictions of war and of those forced to live through it.The second book in the Regeneration trilogy

"A new novel from the Booker Prize winning Pat Barker, author of the Regeneration Trilogy, that unforgettably portrays London during the Blitz (her first portrayal of World War II) and reconfirms her place in the very top rank of British novelists. London, the Blitz, Autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul Tarrant works as an air-raide warden. Once fellow students at the Slade School of Fine Art before the First World War destroyed the hopes of their generation, they now find themselves caught in another war, this time at home. As the bombing intensifies, the constant risk of death makes all three reach out for quick consolation. And into their midst comes the spirit medium Bertha Mason, grotesque and unforgettable, whose ability to make contact with the deceased finds vastly increased demands as death rains down from the skies. Old loves and obsessions resurface until Elinor is brought face to face with an almost impossible choice. Completing the story of Elinor Brooke, Paul Tarrant and Kit Neville begun with Life Class and continued with Toby's Room, Noonday is both a stand-alone novel and the climax of a trilogy. Writing about the Second World War for the first time, Pat Barker brings the besieged and haunted city of London into electrifying life in her most powerful novel since the Regeneration trilogy"--

De persoonlijkheid van een Engelse officier raakt gespleten door zijn ervaringen aan het front tegen het einde van de Eerste Wereldoorlog.

Pattern and directions for sewing an Inuit top.

"Toby and Elinor, brother and sister, friends and confidants, are sharers of a dark secret, carried from the summer of 1912 into the battlefields of France and wartime London in 1917. When Toby is reported 'Missing, Believed Killed', another secret casts a lengthening shadow over Elinor's world: how exactly did Toby die - and why? Elinor's fellow student Kit Neville was there in the fox-hole when Toby met his fate, but has secrets of his own to keep. Enlisting the help of former lover Paul Tarrant, Elinor determines to uncover the truth. Only then can she finally close the door to Toby's room." --Publisher description.

"From the Booker Prize-winning author of the Regeneration trilogy comes a monumental new masterpiece, set in the midst of literature's most famous war. Pat Barker turns her attention to the timeless legend of The Iliad, as experienced by the captured women living in the Greek camp in the final weeks of the Trojan War. The ancient city of Troy has withstood a decade under siege of the powerful Greek army, who continue to wage bloody war over a stolen woman--Helen. In the Greek camp, another woman watches and waits for the war's outcome: Briseis. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. Keenly observant and cooly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position to observe the two men driving the Greek forces in what will become their final confrontation, deciding the fate, not only of Briseis's people, but also of the ancient world at large. Briseis is just one among thousands of women living behind the scenes in this war--the slaves and prostitutes, the nurses, the women who lay out the dead--all of them erased by history. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis's perspective, are rife with newfound revelations. Barker's latest builds on her decades-long study of war and its impact on individual lives--and it is nothing short of magnificent"-- "The Iliad, as experienced by the captured women living in the Greek camp in the final weeks of the Trojan War"--

In a celebration of one of Britain's best-loved, four of Diana Athill's memoirs, spanning the 20th century from her childhood to old age, are now collected in one volume ; Yesterday Morning, Instead of a Letter, Stet, and Somewhere Towards The End.