Minnie Bruce Pratt

Suffused with pain and power, Minnie Bruce Pratt's poetry is as evocative of the swamps and streets of the southern United States as it is of the emotional lives of those too often forced into the margins of society. Vivid, lush, and intensely honest, these poems capture the rough edges of the world and force us to pay attention.

In Pratt's fourth collection of poetry, Walking Back Up Depot Street, we are led by powerful images into what is both a story of the segregated rural South and the story of a white woman named Beatrice who is leaving that home for the postindustrial North. As Beatrice searches for the truth behind the public story - the official history - of the land of her childhood, she hears and sees the unknown past come alive. She struggles to free herself from the lies she was taught while growing up - and she finds others who are also on this journey.

Poetry. LGBT Studies. The first title from Sapphic Classics, a co-edition between Sinister Wisdom Magazine and A Midsummer Night's Press to reprint seminal works of lesbian poetry. "In spare and forceful language Minnie Bruce Pratt tells a moving story of loss and recuperation, discovering linkages between her own disenfranchisement and the condition of other minorities. She makes it plain, in this masterful sequence of poems, that the real crime against nature is violence and oppression."—From the Judges' Statement, Lamont Poetry Prize 1989, CRIME AGAINST NATURE "Minnie Bruce Pratt's CRIME AGAINST NATURE is, for a number of reasons, a work at the poetic crossroads. It extends the subject of love poetry; it extends the subject of feminist and lesbian poetry; it looks in several directions through the lens of a strong, sensuous poetics, through that fusion of experience with imagination that is the core of poetry, and through cadences founded in the music of speech, tightened and drawn to an individual pitch."—Adrienne Rich

Inside the Money Machine is poetry for the immense majority for those who work for a living, out of the house or at home, from the laundromat to the classroom, from blue-collar construction sites to white-collar desk jobs. These fresh, gritty and passionate poems are about the people who survive and resist inside the money machine of 21st-century capitalism: those who've looked for work and not found it, who've held a job but wanted more out of life, who believe a better world is still possible. Inspired by the poetic prose of The Communist Manifesto, Inside the Money Machine draws its power from Pratt s own working life and grass-roots organizing, and the struggles of neighbors, co-workers, political activists and loved ones. Pratt writes from inside the failing money machine: The problem is, the plan is not ours. In the tradition of the socially engaged poetry of Muriel Rukeyser and Langston Hughes, Nazim Hikmet of Turkey and Pablo Neruda of Chile, these poems speak to the unfinished work of this moment in history, in a way that poetry seldom does. Inside the Money Machine urges: Let us follow ourselves into a present not ruled by the past.