Mary Gaitskill

Following the extraordinary success of her novel Veronica, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.In "College Town l980," young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale "Mirrorball," a young man steals a girl's soul during a one-night stand; in "The Little Boy," a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in "The Arms and Legs of the Lake," the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier's uncle, and honeymooners on their way to Niagara Falls. Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill's fiction. As intense as Bad Behavior, her first collection of stories, Don't Cry reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--"the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it--remain unchanged.From the Hardcover edition.

On a snowy night in February, at the improbable point in Lower Manhattan where Waverly Place intersects Waverly Place, a photographer named Leo meets Veronica for the first time. Starkly beautiful, mysterious, aloof, she leads him into a world where illusion blends seamlessly with reality--a luminously transformed city where powerful underground streams crisscross beneath the streets, a city of dragonpoints and Tibetan mysticism where real time is magically altered. Ten years have passed since Veronica's father, the famous magician Albin White, disappeared while performing a dangerous feat of time travel before a packed theater audience. White's disappearance was no accident: he was sabotaged by his apprentice Starwood, who interfered at a critical moment and sent him hurtling into the past, free to explore other eras but with no means of returning to the present.Until Veronica finds Leo...From the Trade Paperback edition.

Gaitskill's complex, urgent characters struggle with the disparity between what they want and what they know. Longing for emotional connection, they often mistake debasement for passion, manipulation for affection, cruelty for intensity. In "Tiny, Smiling Daddy," a father suffers his ambivalent love for a daughter who has betrayed him - perhaps justly. In "The Girl on the Plane," a disillusioned salesman must face his participation in a brutal act he has almost forgotten. In "Kiss and Tell," a writer seeks revenge on a woman who rejected him, only to find that once he has achieved it, he no longer wants it. In "The Wrong Thing," a lonely, emotionally injured woman involved in a set of skewed, apparently trivial sexual encounters unexpectedly discovers her own life-giving reserve of humility, gentleness, and compassion.

Reissued to coincide with the paperback publication of "Because They Wanted To" this captivating novel shimmers with dark intensity and wicked wit. In a stunning synthesis of eroticism, rage, pathos, and humor, Gaitskill's "fine storyteller's pace and brilliant metaphors" ("The New York Times Book Review") create a haunting and unforgettable journey into the dark side of contemporary life and the deepest recesses of the soul. -- Amazon.com.

Darcey and Nieve were the closest and best of friends, through school, as neighbours, travelling round Europe: this was a friendship for life. Until Nieve, returning from Europe a little later than her friend, stole the heart of Aidan, the boy Darcey had fallen in love with in her absence. Aidan was going to propose the very night Nieve caught his eye, and Darcey knew it. For the next ten years she's haunted by the memory of her humiliation. No business success - and there are many - no comfort her warm if eccentric family can offer, not even marriage to Neil, can console her. And then the invitation comes: to the wedding of Aidan and Nieve, neither of whom she's seen since they left Ireland for life in the USA. They're coming home to have the wedding of a lifetime at Ireland's most expensive hotel. Will Darcey be there? Will there be fireworks? And can the past be put to rest at last?

Tadek Gradinski grows up witnessing the multiple invasions and crimes of World War II sweep over his village. After the war, at fourteen, he begins to run messages and guns for the anti-Stalin diehards still hiding in the woods. At seventeen hes leading a double life, falling in love with a village girl, and dreaming about marriage and a job, while spying on NKVD agents at night. But someone betrays the partisans: their camp is destroyed; Tadek is arrested, tortured, and swept away into the Gulag with a twenty-five year sentence.

"Engaging, unusual essays written over the last two decades, on matters literary, social, cultural, and personal--from the explosive date rape debates of the '90s to the ubiquitous political adultery of the '00s, from Anton Chekhov to Celine Dion. Here is Mary Gaitskill the essayist: witty, direct, penetrating to the core of each issue, personality, or literary trope. Gaitskill writes about the ridiculous and poetic ambition of Norman Mailer, about the socio-sexual cataclysm embodied by porn star Linda Lovelace, and, in the deceptively titled 'Lost Cat,' about how power and race can warp the most innocent and intimate of relationships. Appearing in chronological order, the essays offer their thoughts and reactions, always with the heat-seeking, revelatory understanding for which we value the author's fiction"--

The story of a Dominican girl, the Anglo woman who introduces her to riding, and the horse who changes everything for her. Velveteen Vargas is eleven years old, a Fresh Air Fund kid from Brooklyn. Her host family is a couple in upstate New York--Ginger, a failed artist and shakily recovered alcoholic, and her academic husband, Paul--who wonder what it will mean to "make a difference" in such a contrived situation. The story illuminates their shifting relationship with Velvet over several years, as well as Velvet's encounter with the horses at the stable down the road--especially with an abused, unruly mare called Fugly Girl. With strong supporting characters--Velvet's abusive mother, an eccentric horse trainer, a charismatic older boy who awakens Velvet's nascent passion--The Mare traces Velvet's journey between the vital, violent world of the inner city and the world of the small-town stable.--From book jacket.

"In this powerful short fiction, Mary Gaitskill--whose searing honesty about gender relations has been legendary since the appearance of Bad Behavior in the 1980s--considers our moment through the lens of a particular #metoo incident. The effervescent and well-dressed Quin, a successful book editor and fixture on the New York arts scene, has long been one of Margot's best friends. When several women in his field accuse him of inappropriate touching and remarks, Gaitskill builds the account of his undoing through Quin and Margot's alternating voices, allowing readers to experience Quin as a whole person--one whose behavior toward women could be hurtful and presumptuous on the one hand, and keenly supportive on the other. Margot, an older woman who alternately despairs of and sympathizes with the positions of the younger women involved in Quin's case, is the thrumming engine of this remarkable piece of truthtelling. As Gaitskill has said, fiction is the only way that she could approach this subject, which she sees as subtly colored in shades of gray, rather than the black and white of our current conversations. Her compliment to her characters--and to her readers--is that they are unvarnished and real; her belief in our ability to understand them, even when we don't always admire them, is a beacon of humanity from one of our greatest contemporary writers"--

Whether you count yourself a member of the hip-hop nation, bang your head yearly at Ozzfest, wear a cowboy hat, or dance to the top twenty, you're sure to find something to love in Da Capo Best Music Writing 2006. Gathering a rich array of writing by music journalists, novelists, and scribes from a wide range of sources-highbrow literary quarterlies to 'zines and blogs--Da Capo Best Music Writing is a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is revealing.