Laurie Stone

In this entertaining survey of the last ten years in comedy, Stone covers the new generation of daring and thoughtful comedians and performers - innovators with fresh outlooks and unmuzzled voices. Stone lends critical attention to stand-up, honoring the craft and guts required for the solo stroll. Here is the entire comic circus under one tent: iconoclasts and political provocateurs, soloists and troupes, and TV top dogs. Richard Pryor, Whoopi Goldberg, Eric Bogosian, Holly Hughes, Spalding Gray, Rosie O'Donnell, Tracey Ullman, Richard Lewis, Penn & Teller, Leno and Letterman are included - but so are the brightest, lesser-known artists. Stone especially champions boundary bashers: comics on the social margins who juice language and goose social taboos.

From the No. 1 bestselling author of Shatter the Bones and Birthdays for the Dead, a new crime thriller featuring DS Logan McRae. The first body is chained to a stake: strangled, and stabbed, with a burning tyre around its neck. But is this a gangland execution or something much darker? Someone's leaving little knots of bones outside Detective Inspector Logan McRae's house, but he's got more pressing things to worry about. Rival drug gangs are fighting over product and territory; two teenage lovers are missing; someone's crippling Asian immigrants; and Logan's been lumbered with an ambitious new Detective Sergeant, a mountain of paperwork, and the unwelcome attention of his superiors and the local crime boss. When another body turns up, it looks as if the similarities between these murders and the plot of a bestselling novel are more than just a coincidence. And perhaps those little knots of bones are more important than they look...

A woman meets a man and falls in love. She is sixty, a writer and lifelong New Yorker raised by garmentos . She thought this kind of thing wouldn't happen again. He is English, so who knows what he thinks. He is fifty-six, a professor now living in Arizona, the son of a bespoke tailor. As the first of Laurie Stone's linked stories begins, the writer contemplates what life would be like in the desert with the professor. As we learn how she became the person she is, we also come to know the artists and politics of the downtown scene of the '70s, '80s, and '90s, a cultural milieu that remains alive in her. In sharply etched prose, Stone presents a woman constantly seduced by strangers, language, the streets-- even a wildlife trail. Her characters realize that they feel at home in dislocation--in always living in two places at the same time: east and west, past and present, the bed and the grave (or copper urn). Love may not last, the writer knows. Then again, when has anything you thought about the future turned out right?