Katharine Susannah Prichard

A tough, uncompromising novel about the difficult love between a black woman and a white man. This reissue, introduced by Drusilla Modjeska, still raises difficult questions about the history of contact between black and white and its representation in Australian writing.

Katharine Susannah Prichard was born in 1883 to Australian parents then living in Fiji, but she grew up in Tasmania, lived for a while in both Melbourne and London before finally settling in Western Australia. She was one of the co-founders of the Communist Party of Australia in 1921, and her status as a communist and a female writer led to her being frequently under surveillance and harassment by the Australian police and other government authorities. She wrote The Black Opal in 1921, and the novel focuses on the very close-knit opal-mining community living and working on Fallen Star Ridge, a fictitious location set in New South Wales, Australia. Life is hard for the miners as their fortunes rise and fall with the amounts and quality of black opal they can uncover. Black opal is a beautiful mineral with fiery gleams of color, much valued for jewelry. Finding productive seams of such opal is a matter of both hard work and good luck. The novel is a well-drawn study of the relationships of the people living on the Ridge, and the two main characters are portrayed with clarity: Michael Brady, an older man much respected by the other miners for this knowledge and ethical approach, and Sophie Rouminof, a beautiful teenage girl who is the darling of the camp but who abruptly runs away to America after being disappointed in love. Despite the difficulties the individual miners face, there is a community spirit and an agreement on basic values and principles of behavior at the Ridge. But this community of shared endeavor is eventually jeopardized by the influence of outsiders, in particular an American who wishes to buy up the individual mines, operate them under a company structure, and simply pay the miners a salary. This conflict between capitalism and honest manual labour becomes one of the most important themes of the work.

Chronicles the adventures of a young girl and her brothers growing up in a small Australian town in the late nineteenth century.

The third novel in Katherine Susannah Prichard's goldfields trilogy, Winged Seeds (1950) sees her writing about a war which was only just over. It begins brightly in 1936, with vivacious twins turning up on the doorstep of the trilogy's hero, the aging Sally Gough. Pat and Pam are twenty years old and the stepdaughters of Sally's arch-enemy, Sir Paddy Cavan. Their visit gives Prichard an opportunity to show us the state of goldfields at the time. Their flirtatious ways set tongues wagging in Kalgoorlie-Boulder and a barometer of the sexual mores of the time. Yet the twins are not as easy as they seem; Pam is faithful to her fiancee fighting in the Spanish Civil War and Pat is in love with Sally's grandson,Bill. They are fiercely anti-fascist, but cannot reveal their true sympathies until they turn twenty-one and inherit their father's fortune, currently held by their wicked stepfather. Bill is the communist hero of this installment, taking on the mantle from his uncle, Tom, who dies early in the novel, his lungs destroyed by the mine. Bill is torn between his dedication to the cause and his desire for the "siren" Pat. With various other subplots, there is already plenty enough to sustain an interesting narrative, but as in several other novels Prichard's, she unpicks her own set up. The twins leave suddenly; Bill goes off to fight World War Two. The protagonists of the first half only put in guest appearances for the rest of the novel, as the focus returns to Sally, as she struggles with what to make of World War Two, swayed and confused by debates around it, as well as re-living the grief of the Great War in which she lost one son and a second from its after-effects. Bill returns home from Greece injured, only to recover and be sent to New Guinea, where he goes missing, presumed killed by the Japanese. Pat drifts away from her commitment to progressive politics, marrying an American officer. What was the novel building toward in its first half if not for bill and the twins to do something extraordinary for the cause of communism? There is poignancy, though, in Sally trying to make sense of Bill's death, and to find transcendence in the midst of death and disappointment . The trilogy finishes wearily, with the two survivors, Sally and Dinny, burying Kalgoorla, the Aboriginal woman who they have known from the beginning, finding hope in the winged seeds blown out from the kalgoorluh plant. Sally's sons were dead, her grandson Billy was dead, but the ideas they lived for were immortal: "The life force strives towards perfection. What other imperative is there in living? The struggle had gone through the ages. The vital germ in a seed attained its fine flowering and full fruit. How then could the great ideas and ideals of human progress be denied and annihilated? They could not. That was what Bill had believed, and what he tried to make people understand.