UNITED STATES AUTHOR · HISTORY AND CRITICISM · HISTORY
Jane Chance
Jane Green (born in 1968) is an English novelist based in the United States. As of 2014, Green's books had sold in excess of 10 million copies globally, with translations of them appearing in thirty-one languages.
The Lord of the Rings successfully illustrates J.R.R. Tolkien's principles and beliefs about mythology.
— from Tolkien and the Invention of Myth, 2004
Most acclaimed
The Lord of the rings
Originally published from 1954 through 1956, J.R.R. Tolkien's richly complex series ushered in a new age of epic adventure storytelling. A philologist and illustrator who took inspiration from his work, Tolkien invented the modern heroic quest novel from the ground up, creating not just a world, but a domain, not just a lexicon, but a language, that would spawn countless imitators and lead to the inception of the epic fantasy genre. Today, THE LORD OF THE RINGS is considered "the most influential fantasy novel ever written." (THE ENCYCLOPEDIA OF FANTASY) During his travels across Middle-earth, the hobbit Bilbo Baggins had found the Ring. But the simple band of gold was far from ordinary; it was in fact the One Ring - the greatest of the ancient Rings of Power. Sauron, the Dark Lord, had infused it with his own evil magic, and when it was lost, he was forced to flee into hiding. But now Sauron's exile has ended and his power is spreading anew, fueled by the knowledge that his treasure has been found. He has gathered all the Great Rings to him, and will stop at nothing to reclaim the One that will complete his dominion. The only way to stop him is to cast the Ruling Ring deep into the Fire-Mountain at the heart of the land of Mordor--Sauron's dark realm. Fate has placed the burden in the hands of Frodo Baggins, Bilbo's heir...and he is resolved to bear it to its end. Or his own.
Medieval mythography
1994
V.1. The mythic world of Juno, Jupiter's consort, is one of flesh and begetting, of suffering and death, and of poetry itself. Exploring the relationship between that realm of the classical gods and the sphere of medieval mythographers, Jane Chance illuminates the efforts of medieval writers to understand human existence and the forces of nature in relation to Christian truth. V. 2. The second volume in Jane Chance's study of the history of medieval mythography from the 5th through the 15th centuries focuses on the time period in Western Europe between the School of Chartres and the papal court at Avignon. This examination of historical and philosophical developments in the story of mythography reflects the ever-increasing importance of the subjectivity of the commentator. In this period between two great cultural and literary renaissances, Chance shows how scholars working in the most conservative and least literary of genres covertly played out the meaning of new ideas that were too dangerous to espouse publicly. She finds several factors facilitating this development: the assimilation of the classical and moralizing Christian traditions and dissemination of the mythographies of the Martianus commentaries; the advent of the "New Science," Aristotelian philosophy, and its influence on Ovid commentary and mythological exemplum; and the rise in accusations of heresy among scholars and the appearance of mythographic exempla in preaching manuals to counter its popular spread. Through her vast and wide-ranging familiarity with hitherto seldom studied primary texts spanning nearly 1,000 years, Chance provides a guide to the assimilation of classical myth into the Christian Middle Ages. Rich in insight and example, dense in documentation, and compelling in its interpretations, Medieval Mythography is an important tool for scholars of the classical tradition and for medievalists working in any language. V. 3. With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chance's in-depth examination of works by the major writers of the period demonstrates how they essentially co-opted a thousand-year tradition. Their intricate narratives of identity mixed commentary with poetry, reinterpreted classical gods and heroes to suit personal agendas, and gave rise to innovative techniques such as "inglossation" the use of a mythological figure to comment on the protagonist within an autobiographical allegory. In this manner, through allegorical authorial projection of the self, the poets explored a subjective world and manifested a burgeoning humanism that would eventually come to full fruition in the Renaissance. No other work examines the mythographic interrelationships among these poets and their unique and personal approaches to mythological commentary. -- Amazon.com.