James Wood

His marriage and academic career falling apart, philosophy doctoral student and chronic liar Thomas Bunting secretly writes an atheistic manuscript he hope will be his opus and returns to the side of his ailing parish priest father.

"In 1989, Oakley Hall published The Art and Craft of Novel Writing, a classic text that Pulitzer Prize-winner Robert Stone called "simply the best book in print to examine the strategies and necessities involved in the making of a novel."" "In How Fiction Works, Hall has expanded and deepened his instruction, adding exercises and new examples as well as advice on all forms of fiction, including short stories, short-short stories and novels. He covers every fictive technique, from plot and characterization to word choice, voice and style." "The key to Hall's teaching method is his brilliant use of examples. Throughout the book, he emphasizes the importance of reading and evaluating fiction with an eye toward craft. To this end, he offers more than one hundred excerpts from literature, illustrating through analysis and advice how fiction works."--Jacket.

"This book recalls an era when criticism could change the way we look at the world. In the tradition of Matthew Arnold and Edmund Wilson, James Wood reads literature expansively, always pursuing its role and destiny in our lives. In a series of essays about such figures as Melville, Flaubert, Chekhov, Virginia Woolf, and Don DeLillo, Wood relates their fiction to questions of religious and philosophical belief. He suggests that the steady ebb of the sea of faith has much to do with the revolutionary power of the novel, as it has developed over the last two centuries. To read James Wood is to be shocked into both thinking and feeling how great our debt to the novel is."--BOOK JACKET.

Following "The Broken Estate", "The Irresponsible Self", and "How Fiction Works"--Books that established James Wood as the leading critic of his generation - "The Fun Stuff" confirms Wood's pre-eminence, not only as a discerning judge but also as an appreciator of the contemporary novel. In twenty-three passionate, sparkling dispatches - that range over such crucial writers as Thomas Hardy, Leo Tolstoy, Edmund Wilson, and Mikhail Lermontov - Wood offers a panoramic look at the modern novel. He effortlessly connects his encyclopaedic, passionate understanding of the literary canon with an equally in-depth analysis of the most important authors writing today, including Cormac McCarthy, Lydia Davis, Aleksander Hemon, and Michel Houellebecq. Included in "The Fun Stuff" are the title essay on Keith Moon and the lost joys of drumming - which was a finalist for last year's National Magazine Awards - as well as Wood's essay on George Orwell, which Christopher Hitchens selected for the Best American Essays 2010. "The Fun Stuff" is indispensable reading for anyone who cares about contemporary literature.

In this remarkable blend of memoir and criticism, James Wood, noted contributor to the New Yorker, has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of activities, and there are brilliant discussions of individual works--among others, Chekhov's story "The Kiss," W.G. Sebald's The Emigrants, and Penelope Fitzgerald's The Blue Flower.