James Steele

The final part of Tennyson's trilogy of plays, Queen Mary depicts the decline of Roman Catholic influence in England.

Overzicht van de spraakmakende architectuur van ca. de laatste twintig jaar en de herkomst en achtergronden ervan.

The Lawson-Westen House was designed for a couple who cook together and entertain frequently. The vertical funnel of space above the food preparation area that results, is a dominant form in the building's composition and one of the major ordering devices in the building's circulation system. It is also an extraordinarily complex geometric feat, relying on shifting grids and subtle subdivisions, revealing a geometrically-based order of Moss' own devising. Incomprehensible at a simple glance, the interior of the Lawson-Western House is exhilarating and mentally exhausting at the same time.

James Steele visited California in the 1880s. Old Californian days (1889) is the book Steele based on that trip. He provides a sketch of the history of California before the Gold Rush and surviving remnants of that history: the mission churches (San Gabriel and San Juan Capistrano), Spanish-American culture in modern California, and Native American tribes.

"Computers have revolutionized architecture, raising deep philosophical issues that are forcing a paradigm shift in the profession. Initially seen as a positive breakthrough that would make previously inconceivable projects possible, computer-aided design programs are increasingly being viewed as a mixed blessing that must be carefully accommodated in order for architects to retain creative identity.". "An introduction explores the theory behind cyberspace and traces the effects that the worship of technology has had on society. This is followed by five chapters exploring different aspects of the computer in architecture. Themes discussed include the computer as a design tool; Frank Gehry's pioneering use of the CATIA program, first developed to design fighter planes: the results of letting the computer lead the design process; the backlash led by Eric Owen Moss and Moore, Ruble, Yudell; and the place of the computer in architectural education, with examples of student projects from the University of Southern California School of Architecture. The book features prominent projects by Gehry, Morphosis, Nicholas Grimshaw & Partners, Foster and Partners, Hamzah and Yeang, Coop Himmelb(l)au, NBBJ and others."--BOOK JACKET.

Sustainable Architecture shows the intimate connection between ecologically responsible building design and sustainable development in countries around the globe, especially the Third World. The book makes an eloquent case for "sustainable architecture" - architecture that meets the needs of this generation without shortchanging those to come. The author uses case studies from Los Angeles to Bangladesh to show builders and planners how to work with limited energy resources, take advantage of the wisdom of traditional local building techniques, make informed decisions about environmentally safe building materials, analyze energy consumption of traditional vs. modern construction, shape current urban planning policy, make the best use of technological advances in energy conservation, and teach a new generation of students a new way of building. The answer, says the author, is not to give up technological advances, but to use the best of them, to combine them with the best traditional methods, and to test every building, every community plan, by "green" principles. The book shows architects and their clients what they can do to help solve environmental problems. It includes the latest facts and statistics on comparative costs of environmentally safe vs. environmentally destructive materials ... covers the newest techniques for energy-efficient building materials and design ... offers workable, economically feasible "green" alternatives. Sustainable Architecture makes a unique contribution to our global community and our future - a future that can be more abundant and prosperous for all of us.

While the final product of an architect's efforts typically receives the majority of media attention, the process by which it is achieved is rarely revealed. Architecture in Process presents the fascinating sketches, drawings and models produced by the offices of William Alsop, Itsuko Hasegawa, Steven Holl, Kisho Kurokawa, Morphosis and Eric Owen Moss who all place considerable emphasis on the evolution of a design idea and the careful documentation of its incremental growth. This extensively illustrated issue provides an absorbing insight into projects such as Itsuko Hasegawa's Shonandai Cultural Centre, Fujisawa City, Japan, revealing development from the initial sketch, drawn on the train whilst returning from the first visit to the site, to the completed building. Each of the talented architects featured approaches the task differently, contributing to an intriguing and informative study of the variety of methods now being used to achieve architecture of the highest standard throughout the world. The techniques presented range from the extremely unstructured and informal to the rigorous and definitive, but in each case afford an invaluable insight into the elusive and hitherto intangible process by which architects transform concepts into form.

Presents the urbanistic, institutional and architectural legacy of an under-valued period of history from a new perspective, comparing it with the classical aesthetic that immediately preceded it.

India is a nation with a rich, sophisticated culture, but also a country undergoing rapid modernization. In this dynamic context, the architecture of Balkrishna Doshi deploys the strengths of tradition and modernism in a powerful combination, infusing bold new forms with an intricate social, historical, and cultural awareness. Doshi's concern for order, climatic responsiveness, materials, and cultural expression is primary; James Steele examines the full and extraordinary range of his ideas, which encompasses ancient Hindu geometry, contemporary town planning, village typologies, modular standardization, mysticism, and myth. Photographs, plans, and drawings by the architect illustrate informed commentaries on Doshi's most notable projects to date. Some texts by Doshi, written to accompany his original concepts, are published here for the first time. With a comprehensive illustrated chronology of all his work, this study is indispensable not only for anyone with an overall interest in contemporary architecture but also for those who have a particular concern for the evolution of traditional forms within a context of humane values.