Discover

Inga Muscio

Personal Information

Born January 1, 1966 (60 years old)
Santa Maria, United States
3 books
4.0 (4)
51 readers

Description

American feminist writer

Books

Newest First

Autobiography of a blue-eyed devil

0.0 (0)
2

"In her follow-up to Cunt: A Declaration of Independence, controversial author Inga Muscio asserts that the history we learn in school and throughout life is, in fact, a marketing brand developed by white men who maintain the right to spin their ideologies as hard facts. Muscio draws insight from personal experience, tackling a wide array of topics - from white normativity to gentrification to U.S. foreign policy - with dissension and self-awareness."--Jacket.

Cunt

4.3 (3)
31

An ancient title of respect for women, the word "cunt" long ago veered off this noble path. Inga Muscio traces the road from honor to expletive, giving women the motivation and tools to claim "cunt" as a positive and powerful force in their lives. With humor and candor, she shares her own history as she explores the cultural forces that influence women's relationships with their bodies. Sending out a call for every woman to be the Cuntlovin' Ruler of Her Sexual Universe, Muscio stands convention on its head by embracing all things cunt-related.

Live Through This

3.0 (1)
18

A visceral look at the bizarre entanglement of destructive and creative forces, Live Through This is a collection of original stories, essays, artwork, and photography. It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.