Harold Schechter

In an era that produced some of the most vicious female sociopaths in American history, Jane Toppan would become the most notorious of them all. AN ANGEL OF MERCY In 1891, Jane Toppan, a proper New England matron, embarked on a profession as a private-duty nurse. Selfless and good-natured, she beguiled Boston's most prominent families. They had no idea what they were welcoming into their homes.... A DEVIL IN DISGUISE No one knew of Jane's past; of her mother's tragic death, of her brutal upbringing in an adoptive home, of her father's insanity, or of her own suicide attempts. No one could have guessed that during her tenure at a Massachusetts hospital the amiable "Jolly Jane" was morbidly obsessed with autopsies, or that she conducted her own after-hours experiments on patients, deriving sexual satisfaction in their slow, agonizing deaths from poison. Self-schooled in the art of murder, Jane Toppan was just beginning her career -- and she would indulge in her true calling victim by victim to become the most prolific domestic fiend of the nineteenth century.

One last chance ... for Max, Fang, and Dylan ... before it all ends. "Nevermore" is one last incredible, explosive adventure with an astonishing ending that no one could have seen coming.

"The City of Angels has more than its share of psychopaths, and no one recognizes that more acutely than the brilliant psychologist and police consultant Dr. Alex Delaware. Despite that, Constance Sykes, a sophisticated, successful physician, hardly seems like someone Alex needs to fear. Then, at the behest of the court, he becomes embroiled in a bizarre child custody dispute initiated by Connie against her sister and begins to realize that there is much about the siblings he has failed to comprehend. And when the court battle between the Sykes sisters erupts into cold, calculating murder and a rapidly growing number of victims, Alex knows he's been snared in a toxic web of pathology. Nothing would please Alex more than to be free of the ugly spectacle known as Sykes v. Sykes. But then the little girl at the center of the vicious dispute disappears and Alex knows he must work with longtime friend Detective Milo Sturgis, braving an obstacle course of Hollywood washouts, gangbangers, and self-serving jurists in order to save an innocent life" --

"A young beauty with a shadowy past has been savagely murdered. Her hideous wounds mirror a gruesome tableau in Barnum's wax exhibit dwon to the flawless rose between her lips causing authorities to pinder Barnum's own responsibility. He has no recourse other than to solve the crime himself with the aid of the master of morbid, criminal motivation. Having already achieved a reputation for deductive brilliance by solving Baltimore's notorious "Nevermore Murders," Poe accepts Barnum's challenge."--Jacket.

In the tradition of Mary Roach's bestselling Stiff and Jessica Mitford's classic expose The American Way of Death comes this meticulously researched, refreshingly irreverent, and lavishly illustrated look at death from acclaimed author Harold Schechter. With his trademark fearlessness and bracing sense of humor, Schechter digs deep into a wealth of sources to unearth a treasure trove of surprising facts, amusing anecdotes, practical information, and timeless wisdom about that undiscovered country to which we will all one day travel. Topics include- Death anxiety--is your fear of death normal or off the scale? - You can't take it with you . . . or can you? Wacky wills and bizarre bequests- The hospice experience--going out in comfort and style- Deathbed and funeral etiquette--how to help the dying and mourn the dead with dignity- Death on demand--why the right-to-die movement may be the next big thing- "Good-bye everybody"--famous last words- The embalmer's art--all dressed up and nowhere to go- Behind the scenes at your local funeral home- Alternative burial choices--from coral reefs to outer spaceFrom the cold, hard facts of death to lessons in the art of dying well, from what happens in the body's last living moments to what transpires in the ground or in the furnace, from near-death experiences to speculation on the afterlife, The Whole Death Catalog leaves no gravestone unturned.From the Trade Paperback edition.

When reporter Paul Novak investigates a series of brutal murders, he didn't plan to pry into the legend of Ed Gein, the "butcher of Plainfield, Wisconsin". But when local lore leads him to the ramshackle home of a bizarre young man and his mother, Paul realizes he's stumbled across Ed Gein's best kept secret. And he's about to discover that a killer's instincts never die.

One of the greats in the field of true-crime literature, Harold Schechter (Deviant, The Serial Killer Files, Hell's Princess), teams with five-time Eisner Award-winning graphic novelist Eric Powell (The Goon, Big Man Plans, Hillbilly) to bring you the tale of one of the most notoriously deranged murderers in American history, Ed Gein. DID YOU HEAR WHAT EDDIE GEIN DONE? is an in-depth exploration of the Gein family and what led to the creation of the necrophile who haunted the dreams of 1950s America and inspired such films as Psycho, The Texas Chainsaw Massacre and The Silence of the Lambs. Painstakingly researched and illustrated, Schechter and Powell's true-crime graphic novel takes the Gein story out of the realms of exploitation and gives the reader a fact-based dramatization of these tragic, psychotic and heartbreaking events. Because, in this case, the truth needs no embellishment to be horrifying.

"Beekman Place, one of the most exclusive addresses in Manhattan, hasn't always been home to the rich. In the 1930s, when bluebloods like the Vanderbilts and Rockefellers began to build luxury towers, poor European immigrants lived in filthy slums among the riverside factories and abbatoirs. It was in this setting that a young man committed a grisly triple-murder on Easter Sunday, 1937. The details of the case were so sensational that one might think it had been cooked up in a tabloid editor's overheated imagination. The charismatic perpetrator, Robert Irwin, was a promising young sculptor, but he was also deeply disturbed. An obsession with Veronica Gedeon, a stunning photographer's model, would inspire him to murder. Harold Schechter masterfully tells the story of the "Mad Sculptor" case, one of the most engrossing American crime dramas of the twentieth century--evoking an atmosphere and a madness that will have readers glued to their chairs"--

"In September 1841, a grisly discovery is made aboard a merchant ship docked in lower Manhattan: Deep in the cargo hold, bound with rope and covered with savage head wounds, lies a man's naked corpse. While a murderer has taken pains to conceal his victim's identity, it takes little time to determine that the dead man is Samuel Adams, proprietor of a local printing firm. And in less time still, witnesses and a bloody trail of clues lead investigators to the doorstep of the enigmatic John Colt. The scion of a prosperous Connecticut family, Colt has defied his parents' efforts to mold him into a gentleman--preferring to flout authority and pursue excitement. Ironically, it is the ordered science of accountancy that for a time lends him respectability. But now John Colt's ghastly crime and the subsequent sensational murder trial bring infamy to his surname--even after it becomes synonymous with his visionary younger brother's groundbreaking invention. The embodiment of American success, Sam Colt has risen from poor huckster to industrious inventor. His greatest achievement, the revolver, will bring him untold millions even as it transforms the American West. In John's hour of need, Sam rushes to his brother's side--perhaps because of the secret they share. In Gilded Age New York, a city awash with treacherous schemers, lurid dime-museum curiosities, and the tawdry excesses of penny-press journalism, the Colt-Adams affair inspires tabloid headlines of startling and gruesome hyperbole, which in turn drive legions of thrill-seekers to John Colt's trial. The dramatic legal proceedings will fire the imagination of pioneering crime writer Edgar Allan Poe and fuel the righteous outrage of journalist Walt Whitman"--Jacket.

Suspense, intrigue, atmosphere, and vivid historical detail combine into a thrilling ride through nineteenth-century New York City in The Mask of Red Death. Harold Schechter delivers both a wonderfully accurate portrait of a city in turmoil and an irresistibly appealing depiction of his amateur sleuth Edgar Allan Poe, mirroring the master's writing style with wit and acumen.It is the sweltering summer of 1845, and the thriving metropolis has fallen victim to a creature of the most inhuman depravity. Found days apart, two girls have been brutally murdered, their throats slashed, viciously scalped, and--most shocking of all--missing their livers. Edgar Allan Poe, despite what the tenor of his own tales of terror might suggest about his constitution, is just as shaken and revolted by these horrendous crimes as the panic-stricken public. Suspicion of the scalper's identity immediately swirls around the most famous "redskin" in New York, Chief Wolf Bear, one of the human attractions at P.T. Barnum's American Museum. Certain that Chief Wolf Bear is innocent, Poe has deduced that the city is concealing a cannibal somewhere in its teeming masses, one with an ever-growing appetite for human prey.Before he can investigate his theory further, Poe stumbles onto the scene of a third gruesome murder. Poe recently met William Wyatt when he agreed to look at a document for Wyatt to determine the authenticity of the purportedly famous handwriting on it. Now Poe finds Wyatt in a pool of blood, his scalp removed. How, Poe muses, are Wyatt and his document connected to the two slain girls?As frenzied emotions over the murders reach a fevered pitch, Kit Carson makes an appearance. The famous scout has been tracking the "Liver Eater" since the man killed his wife months ago. Together, Carson and Poe make an odd sleuthing team, but their combined wits are formidable. The trail they uncover reveals a dark secret more powerful than anything they could have imagined-- one that may reach the upper echelons of politics and privilege.From the Hardcover edition.

The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W.H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping?and criminally entertaining?collection. --Publisher.

"In our high-tech, consumerist culture, traditional folklore has found itself revived in an electric mix of popular works from B-movies, TV shows, and superhero comics to pulp novels and supermarket tabloids. With a strong emphasis on narrative and very little reliance on aesthetics, these forms of popular entertainment have often defied analysis. The Bosom Serpent fills this gap by revealing the pervasive similarities between traditional folklore motifs and our contemporary forms of amusement. By examining a variety of works and genres from classic fairy tales to supermarket tabloids, The Bosom Serpent demonstrates that today's popular art is no more (or less) than the sort of unpretentious narrative entertainment human beings have always craved - tall tales dressed up to fit the concerns of the time."--BOOK JACKET.