Gladys Mitchell

From fantasticfiction.com: "The nuns of the Order of Companions of the Poor summon eminent psychiatrist and sleuth Dame Beatrice Lestrange Bradley to investigate a series of anonymous letters, but when she arrives the prime suspect has just been found drowned in the convent school pond, with, appropriately enough, her own massive Family Bible. Dame Beatrice leads a fine cast of eccentric characters as she gradually unravels the truth from the sniping gossip of the convent's paying guests and the rumours of ghosts among the school children."

Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man--the one who raped and tortured her as she lay blindfolded in a military detention center years before.--From publisher description.

"Oh, mother! That wretched woman! After all, she's dead and buried. Why don't you leave well alone?" enquired her son. ​"So said the ghost of Joan of Arc to George Bernard Shaw," Mrs. Bradley replied, with a chuckle. Mrs Bradley is called in when two boys escape from a model juvenile reformatory. It's not the first such incident - several years before, two inmates had also run away, never to be seen again. The reformatory cook-housekeeper is implicated, but an investigation turns up nothing in the way of solid evidence. Years later, the unhappy woman commits suicide. Then her diary falls into Mrs Bradley's hands, and the mistakes and inconsistencies it contains prompt the canny psychologist/detective to follow the trail of years-old crimes.

A quick-witted, clever mystery from the Golden Age of crime writingNoel Wells, curate in the sleepy village of Saltmarsh, likes to spend his time dancing in the study with the vicar's niece until one day the vicar's unpleasant wife discovers her unmarried housemaid is pregnant and trouble begins. It is left to Noel to call for the help of sometime-detective and full-time Freudian Mrs Bradley, who sets out on an unnervingly unorthodox investigation into the mysterious pregnancy, an investigation that also takes in a smuggler, the village lunatic, a missing corpse, a public pillory, an exhumation and, of course, a murderer. Mrs. Bradley is easily one of the most memorable personalities in crime fiction and in this classic whodunit she proves that some English villages can be murderously peaceful.

From "Fantastic Fiction" - Great Aunt Puddequet was reputed to be enormously wealthy. It was also a tradition in the family that she was extraordinarily mean. So when the malicious old bird summons her grand-nephews to perform in a games tournament in order to secure their inheritances, they gloomily oblige. Before long, the country house games are interrupted by murder. The police are baffled, but fortunately Mrs Bradley, an unusual psychoanalyst with a flair for sleuthing, has begun to take an keen interest in the Puddequet Olympics.

he humble town of Brayne is about to be upgraded to a borough. For energetic councilor Julian Perse such elevated status requires proper celebration, namely the organization of a multi-part historical pageant to be held throughout the village. A parade of figures—including Henry VIII with six wives in tow and Edward III—will entertain the crowd in the high street, building to an evening performance of dancers, tumblers, comedians, children’s choir, and selections from The Merry Wives of Windsor at the town (now borough) hall. To pull all these elements together and essentially stage-manage the spectacle, Julian presses into service his aunt, successful fashion writer Kitty Trevelyan-Twigg. Reluctant but unwilling to let her nephew down, Kitty lends her services; first, though, she consults her old Carteret College friend Laura Menzies, who looks on in amused interest. The day arrives and the pageant looks to be a success, despite concerns over early morning rain and, later, a donkey joining the squire’s horse on the field during a stately display of dressage. At the town hall, the jokes of the hired comedy act are not blue but merely stale, the children remain under control, and Falstaff is speedily removed in Windsor’s washing basket. When the actor fails to appear for his second scene, however, Kitty is forced to usher in the night’s next performance. Falstaff reappears by the river, the basket nearby and a fatal knife wound in his side. An agitated Kitty reports to Laura, who in turn tells her employer, Dame Beatrice Bradley. It’s just as well that the aged psychoanalyst is brought in: the actor playing Henry VIII soon disappears, and his costumed body is found—minus the head—in a wooded lane. ​Despite these perceived curses (and against Kitty’s wishes), Julian Perse decides to mount a sequel to the star-crossed pageant, this one much less publicized and without the town’s formal blessing. A re-enactment of an eighteenth century election ends in a modern-day gang fight, and the following morning finds the unfortunate Edward III swinging from the Hangman’s Oak tree. A hunch leads Laura to the discovery of Henry’s head, while Dame Beatrice works with the police to unmask the culprit and put a stop to these historically-themed murders.

It is the early months of the Second World War, and the inhabitants of the provincial town of Willington are just coming to terms with the idea of petrol shortages, rationing, occasional air raid warnings, and the blackout. The last thing they expect is for three mysterious corpses to appear in their midst on the same gloomy night.

Mitchell's series detective, Dame Beatrice Adela Lestrange Bradley, "psychiatrist and consulting psychologist to the Home Office with degrees from every university except Tokyo," and her assistant Laura Menzies have been invited to a house party organized around an elaborate Sherlock Holmes costume theme. The host is obnoxious and wealthy Sir Bohun Chantry, and the guest list is small but varied; a few friends, several family members, and Miss Menzies' fiancee, CID inspector Robert Gavin. With the possible exception of Bradley, Menzies and Gavin, everyone present has a reason to dislike and/or be indebted to Chantry. Chosen for the part of Irene Adler is a young woman ostensibly employed as nursery governess to Chantry's youngest nephew. In the party's aftermath Chantry announces that they are engaged although no one can fathom why; the girl is a hard, grasping chippie, instinctively dishonest and a blackmailer, and if anything even more unpleasant than Chantry. It is no surprise when she turns up dead, stabbed through the heart and the weapon missing. The suspects include an unstable young man who was in love with (and spurned by) the dead woman, Chantry's out of wedlock son who stands to lose his inheritance if Chantry marries and produces legitimate offspring, and a pretty, sexually voracious houseguest eager to shed her husband for a richer partner. Complicating Mrs Bradley's investigation are a a pair of thespians, a retired chorus girl, two small boys, and a Hound of the Baskervilles look-alike imprisoned in an abandoned railway station. She correctly interprets the clues and identifies the murderer -- but is there enough proof for Scotland Yard?