Ariel Dorfman

Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man--the one who raped and tortured her as she lay blindfolded in a military detention center years before.--From publisher description.

"The latest novel from one of Latin America's greatest living writers tells the story of a man whose distant past comes to haunt him, leading him to uncover his ancestors' involvement in the sordid story behind 19th century human zoos in Europe. From the author of Death and the Maiden and other works that explore relations of power in the postcolonial world, comes the story of a man whose distant past comes to haunt him, leading him to uncover his ancestors' involvement in the sordid story behind 19th century human zoos in Europe. On Fitzroy Foster's fourteenth birthday on September 11th, 1981, he receives an unexpected and unwelcome gift: as his father snaps his picture with a Polaroid, another person's image appears in the photo. Fitzroy, together with his feisty childhood sweetheart, sets out on a voyage to discover this stranger's identity, in a journey that will take him into the darkest past of his own family history and on an epic sea adventure. In order to recover his own identity, he must unearth the forgotten stories of indigenous men, women, and children who were stolen from their homes and paraded around 19th century Europe like circus monkeys. Seamlessly weaving fact and fiction, Darwin's Ghosts is a poignant, mournful cry for those whose travails have been long forgotten, and a lesson in the power of empathy and memory, and the value of forgiveness"--

In his memoir, Heading South, Looking North, Dorfman explores the many exiles of a life torn, from age two, between the United States and Latin America, between revolution and repression. Interwoven with the remarkable story of how he switched languages and cultures - not once, but three times - is a day-by-day account of his multiple escapes from death during a military takeover in Chile. Dorfman filters these events through his dual and hybrid life, speaking, reading, thinking at times in Spanish, at times in English.

"Mascara delves into the dark terrain of identity and disguise when the lives of three people collide. A nameless man with a face no one remembers has the devastating ability to see and capture on film the brutal truths lurking inside each person he encounters. Oriana, a beautiful woman with the memory of an innocent child, is relentlessly pursued by mysterious figures from her past. Doctor Mavirelli is a brilliant and power-hungry plastic surgeon who controls society's most prominent figures by shaping their faces. The twining of these three fates plays out in a climactic unmasking."--BOOK JACKET.

"Ariel Dorfman's latest collection is an emotionally raw yet measured assessment of the United States after the election of Donald Trump, highlighting the troubling parallels between Trump and repressive regimes of the past. With corruption and repression looming, Dorfman wonders, can the United States avoid the same kind of political interference it practiced in the past? Concise, original, and even playful, Dorfman provides a clear-eyed take on our state of disunion. The Inquisition, Frankenstein, civil rights struggles, "the bridge on the river Kwai," Pinochet and Nelson Mandela all have a role to play in this far-ranging collection from a writer Time magazine calls a "literary grandmaster.""--Jacket flap.

Gerardo, a lawyer, is asked to investigate the crimes of a dictatorship, while Paulina, his wife, recognizes Roberto as her torturer.

x,214p. ; 20cm

Born into privilege, Sibylla lives by choice on the chilly streets of Stockholm. When she spends a night with a businessman, and his body is found the next morning, she becomes a wanted woman.