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Gail Godwin

Personal Information

Born January 1, 1937 (89 years old)
Birmingham, United States
Also known as: GAIL GODWIN, Godwin Gail
26 books
4.0 (2)
69 readers

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Books

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The red nun

0.0 (0)
3

From Gail Godwin, three-time National Book Award finalist and acclaimed New York Times bestselling author of Evensong and The Finishing School, comes a sweeping new novel of friendship, loyalty, rivalries, redemption, and memory.It is the fall of 1951 at Mount St. Gabriel's, an all-girls school tucked away in the mountains of North Carolina. Tildy Stratton, the undisputed queen bee of her class, befriends Chloe Starnes, a new student recently orphaned by the untimely and mysterious death of her mother. Their friendship fills a void for both girls but also sets in motion a chain of events that will profoundly affect the course of many lives, including the girls' young teacher and the school's matriarch, Mother Suzanne Ravenel. Fifty years on, the headmistress relives one pivotal night, trying to reconcile past and present, reaching back even further to her own senior year at the school, where the roots of a tragedy are buried.In Unfinished Desires, a beloved author delivers a gorgeous new novel in which thwarted desires are passed on for generations--and captures the rare moment when a soul breaks free. From the Hardcover edition.

Queen of the underworld

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1

Here at last is the eagerly awaited new novel from New York Times bestselling author Gail Godwin. Queen of the Underworld is sweeping and sultry literary fiction, featuring a memorable young heroine and engaging characters whose intimate dramas interconnect with hers. In the summer of 1959, as Castro clamps down on Cuba and its first wave of exiles flees to the States to wait out what they hope to be his short-lived reign, Emma Gant, fresh out of college, begins her career as a reporter. Her fierce ambition and belief in herself are set against the stories swirling around her, both at the newspaper office and in her downtown Miami hotel, which is filling up with refugees. Emma's avid curiosity about life thrives amid the tropical charms and intrigues of Miami. While toiling at the news desk, she plans the fictional stories she will write in her spare time. She spends her nights getting to know the Cuban families in her hotel--and rendezvousing with her married lover, Paul Nightingale, owner of a private Miami Beach club. As Emma experiences the historical events enveloping the city, she trains her perceptive eye on the people surrounding her: a newfound Cuban friend who joins the covert anti-Castro training brigade, a gambling racketeer who poses a grave threat to Paul, and a former madam, still in her twenties, who becomes both Emma's obsession and her alter ego. Emma's life, like a complicated dance that keeps sweeping her off her balance, is suddenly filled with divided loyalties, shady dealings, romantic and professional setbacks, and, throughout, her adamant determination to avoid "usurpation" by others and remain the protagonist of her own quest.From the Hardcover edition.

Evenings at five

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Every evening at five o'clock, Christina and Rudy stopped work and began the ritual commonly known as Happy Hour. Rudy mixed Christina's drink with loving precision, the cavalier slosh of Bombay Sapphire over ice shards, before settling across from her in his Stickley chair with his glass of Scotch. They shared a love of language and music (she is an author, he a composer, after all), a delight in intense conversation, a fascination with popes, and nearly thirty years of life together.What did I think, that we had forever? muses Christina, seven months after Rudy's unexpected death. While coming to terms with her loss, with the space that Rudy once inhabited, Christina reflects on their vibrant bond--with all its quirks, habits, and unguarded moments--as well as her passionate sorrow and her attempts to reposition herself and her new place in the very real world they shared.In this literary jewel, a bittersweet novella of absence and presence and the mysterious gap between them, Gail Godwin has performed a small miracle. In essence, Evenings at Five is a grief sonata for solo instrument transposed into words. Interwoven with meditations and movements, full of aching truths and a wicked sense of humor, it exquisitely captures the cyclical nature of commitment--and the eternal quality of a romance completed.

A southern family

5.0 (1)
2

After Theodore Quick, twenty-eight, and his girlfriend, Jeanette, are found dead with all the evidence pointing to Theo himself, his family must reevaluate itself.

Mr. Bedford and the Muses

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1

Mr. Bedford -- A father's pleasures -- Amanuensis -- St. John -- The angry-year -- A cultural exchange.

A Mother and Two Daughters

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3

A portrait of the continued growth of three women following the death of their husband and father.

Evensong

0.0 (0)
26

DANGEROUS DECEPTION — When Aline was offered a chance to impersonate a noble lady, the medieval dancing girl thought it worth the risk. Until, in the arms of the dark-visaged knight she was supposed to deceive, she realized she chanced not just her life, but her heart. The girl he wished to marry for revenge seemed to be all Sir James hated most: an arrogant shrew, and niece to his sworn enemy. So why did her soft arms beckon him, and her amber-brown eyes warm his soul? Deceit pitted them against each other in a war that could have no winners...unless love could turn their passion into victory.

Grief cottage

3.0 (1)
1

After his mother's death, eleven-year-old Marcus is sent to live on a small South Carolina island with his great aunt, a reclusive painter with a haunted past. Aunt Charlotte, otherwise a woman of few words, points out a ruined cottage, telling Marcus she had visited it regularly after she'd moved there thirty years ago because it matched the ruin of her own life. Eventually she was inspired to take up painting so she could capture its utter desolation. The islanders call it "Grief Cottage," because a boy and his parents disappeared from it during a hurricane fifty years before. Their bodies were never found and the cottage has stood empty ever since. During his lonely hours while Aunt Charlotte is in her studio painting and keeping her demons at bay, Marcus visits the cottage daily, building up his courage by coming ever closer, even after the ghost of the boy who died seems to reveal himself. Full of curiosity and open to the unfamiliar and uncanny given the recent upending of his life, he courts the ghost boy, never certain whether the ghost is friendly or follows some sinister agenda.