Elizabeth Nunez

"Descended from warriors and raised by missionaries, Oufoula is a diplomat whose wealth and charm make him both publicly admired and envied. From a tragic childhood he emerged a man who leads a disciplined life of respect, married to Nerida, a woman he did not want to deceive. But the beautiful Marguerite, a Jamaican-born artist living in New York, makes him question what ideals he can live by, and which values he can betray.". "For twenty years, Oufoula has carried a secret in his heart, a secret of his love for Marguerite. Though they have been separated for two decades by Marguerite's call for propriety, Oufoula refuses to let his desire wane. When the lovers are at last reunited, the rekindling of their passion forces Oufoula to come to terms with the core of his character: Is he willing to sacrifice his marriage, his career, and the very foundations of the life he has struggled to create, all for the love of one woman?". "Oufoula's confession is adorned with the literature of his European education, and shrouded by the spirits and responsibilities of Africa. Caught between myth and reason, Oufoula reveals himself to be a soul trapped in every way, who, like Faust, would bargain with the devil for fulfillment...but was never offered any choice."--BOOK JACKET.

"In the village of Otahiti on the island of Trinidad, a fisherman pulls the body of a white woman from the sea. News travels quickly through the small island, and the conclusion "man-woman business" prevails as the assumed motive for the murder. The rage that surfaces as a result of the murder - born of generations of colonialism, sexual oppression and class disparity - is the catalyst for the reunion of two childhood friends, Rosa and Zuela.". "Inseparable companions during the August holidays of their twelfth year, the two girls witness an unspeakable act through the leaves of a hibiscus bush and shame divides them for twenty years. Rosa, from a family of white plantation owners, falls in love with a black school headmaster named Cedric. Zuela marries a Chinese immigrant three times her age and gives birth to ten children in as many years. Although their lives diverge, both women suffer at the hands of the men they marry. Memories of the horror witnessed at the hibiscus bush resurface upon hearing about the murdered woman, bringing Rosa and Zuela together in a desperate search for liberation."--BOOK JACKET.

Anna In-Between is Elizabeth Nunez's finest literary achievement to date. In spare prose, with laserlike attention to every word and the juxtaposition of words to each other, Nunez returns to her themes of emotional alienation, within the context of class and color discrimination, so richly developed in her earlier novels.Anna, the novel's main character, who has a successful publishing career in the U.S., is the daughter of an upper-class Caribbean family. While on vacation in the island home of her birth she discovers that her mother, Beatrice, has breast cancer. Beatrice categorically rejects all efforts to persuade her to go to the U.S. for treatment, even though it is, perhaps, her only chance of survival. Anna and her father, who tries to remain respectful of his wife's wishes, must convince her to change her mind.

"An epic tale of family betrayal and manipulation couched in superbly engaging prose and peopled with deftly drawn characters. In a story structure as rhythmic as the ebb and flow of the water surrounding Trinidad and Barbados, this revisiting of the classic story of King Lear becomes a subtle, organic exploration of politics, class, race, and privilege. A dazzling, epic triumph."--Kirkus Reviews, Starred review "[Narrator] Emile remarks on parallels to King Lear repeatedly, but there is much more to unpack here. The issue of racism is woven throughout, as are regional problems such as access to Barbados's beaches and poverty in Jamaica's Tivoli Gardens. This is also a celebration of the arts, culture, and natural beauty of the islands. Shakespeare's work is a tragedy, but for Emile 'the future shimmers before [him] full of wondrous possibilities.' Nunez treats her source material with a deft touch, making this story impressive in its own right."--Publishers Weekly "Nunez's textured and engaging novel explores familial discord, along with questions of kinship and self-identity ... With a nod to King Lear, Nunez crafts an introspective tale as her vividly drawn characters navigate complications of heritage, race, and loyalty."--Booklist "In her latest novel, Even in Paradise, acclaimed author Elizabeth Nunez reimagines Shakespeare's King Lear set in the Caribbean. She transforms the classic tragic tale of betrayal and manipulation within a family into a more political meditation on race, class, and privilege featuring a multiracial cast of characters."--Hello Beautiful, #BlackWomenRead: 17 Books by Black Women You Need In Your Life This Spring "Another engaging novel by an accomplished author who retells the story of King Lear in a Caribbean landscape with racial tensions playing out alongside the classic narrative of greed and parent/child relations ... [The novel] is structured with interesting and layered plots, but what I like best is [Nunez's] exquisite language detailing Caribbean landscapes and people ... I strongly recommend this book, especially to those who love Caribbean stories."--Me, You, and Books "Even in Paradise is Caribbean drama as grand epic. Nunez, always a master of unexpected contrasts, does it here again. A story told on a huge scale that still manages to be achingly personal and intimate."--Marlon James, author of A Brief History of Seven Killings "The Caribbean is so blessed to have Elizabeth Nunez writing from and for us! This novel is pan-Caribbean and multiracial, crossing the West Indies with Caribbean characters ethnically originating in Africa, Europe, and the Middle East. Even in Paradise adds another dimension to how we read Shakespeare's King Lear while celebrating the cultural institutions in the region that have made writers like Nunez possible."--Tiphanie Yanique, author of Land of Love and DrowningPeter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped "That future strife/May be prevented now." But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land. In the meantime, he gives his two older daughters their portions, ironically setting in motion the very strife ...

Tracing the four days from the moment she gets the call that every immigrant fears to the burial of her mother, Elizabeth Nunez tells the haunting story of her lifelong struggle to cope with the consequences of the "sterner stuff" of her parents' ambitions for their children and her mother's seemingly unbreakable conviction that displays of affection are not for everyday use. But Nunez sympathizes with her parents, whose happiness is constrained by the oppressive strictures of colonialism, by the Catholic Church's prohibition of artificial birth control which her mother obeys, terrified by the threat of eternal damnation (her mother gets pregnant fourteen times: nine live births and five miscarriages which almost kill her), and by what Malcolm Gladwell refers to as the "privilege of skin color" in his mother's Caribbean island homeland where "the brown-skinned classes ... came to fetishize their lightness." Still, a fierce love holds this family together, and the passionate, though complex, love Nunez's parents have for each other will remind readers of the passion between the aging lovers in Gabriel Garcia Marquez's Love in the Time of Cholera. Written in exquisite prose by a writer the New York Times Book Review calls "a master at pacing and plotting," Not for Everyday Use is a page-turner that readers will find impossible to put down. Nunez ponders the cultural, racial, familial, social, and personal experiences that led to what she ultimately understands was a deeply loving union between her parents.