Elizabeth Alexander

In her fourth remarkable collection, Elizabeth Alexander voices the outcries, dreams, and histories of an African American tradition that goes back to the slave rebellion on the Amistad and to the artists' canvases of nineteenth-century America. In persona poems, historical narratives, jazz riffs, sonnets, elegies, and a sequence of ars poetica, American Sublime is Alexander's most vivid and varied collection and affirms her place as one of America's most lively and gifted writers.

With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence. Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

In surprising turns through different American cities, mindsets, and eras, and through the strange rhythms of dreaming, the celebrated poet Elizabeth Alexander composes her own kind of improvisational jazz. Antebellum Dream Book offers a music of resistances as well as soaring flights of fancy: the conflicts of the Civil Rights movement of the 1960s and after; a mother's struggle to see through a postpartum fog; a vision in which the poet takes on the narrative voice of Muhammad Ali. The New York Times Book Review has said that "Alexander creates intellectual magic in poem after poem." In this stunning collection, she furthers her reputation as a vital and vivid poetic voice keenly attuned to our ideas of race, gender, politics, and motherhood.

Originally published in 1990 to widespread acclaim, The Venus Hottentot introduces Elizabeth Alexander's vital poetic voice, distinguished even in this remarkable first book by its examination of history, gender, and race with an uncommon clarity and music. These poems range from personal memory to cultural history to human personae: John Coltrane, Frida Kahlo, Nelson Mandela, and "The Venus Hottentot," a nineteenth-century African woman who was made into a carnival sideshow exhibit. In language as vibrant within traditional forms as it is within improvisational lyrics, the poems in The Venus Hottentot demonstrate why Alexander is among our most dazzling and important contemporary poets and cultural critics.

On January 20, 2009, Elizabeth Alexander served as the fourth ever inaugural poet and a central participant in one of the most closely watched inaugurations in American history. Selected by Barack Obama, Alexander composed and delivered her original poem "Praise Song for the Day" to an audience of millions, and now the poem can be read and savored for posterity. Printed on heavy, uncoated stock, with French flaps, and a silver foil stamp, this collectible chapbook is a cherished reminder of this monumental presidential event.

This book showcases the exquisite collage work of internationally acclaimed artist Lorna Simpson. Combining vintage advertising images of Black women and men with colorful ink washes, striking geological formations, and dreamy skyscapes, Simpson creates fantastical coiffures that pay homage to the beauty of Black hair. A lyrical introduction by eminent poet Elizabeth Alexander rounds out this volume.

"In times of personal hardship or collective anxiety, words have the power to provide comfort, meaning, and hope. The past year has seen a resurgence of poetry and inspiring quotes-- posted on social media, appearing on bestseller lists, shared from friend to friend. Honoring this communal spirit, [this book] is a timeless collection of both classic and contemporary poetry and short prose that can be of help in difficult times-- selections that offer wisdom and purpose, and that allow us to step out of our current moment to gain a new perspective on the world around us as well as the world within."--

Over twenty years, Elizabeth Alexander has become one of America's most exciting and important poets. This first career retrospective gathers generous selections from Alexander's previous work, along with twenty pages of new poetry, including her poem "Praise Song for the Day," delivered at Barack Obama's Presidential Inauguration. The result is the definitive volume to date by this quintessential American poet.