Drew Gilpin Faust

An illuminating study of the American struggle to comprehend the meaning and practicalities of death in the face of the unprecedented carnage of the Civil War. During the war, approximately 620,000 soldiers lost their lives. An equivalent proportion of today's population would be six million. This book explores the impact of this enormous death toll from every angle: material, political, intellectual, and spiritual. Historian Faust delineates the ways death changed not only individual lives but the life of the nation and its understanding of the rights and responsibilities of citizenship. She describes how survivors mourned and how a deeply religious culture struggled to reconcile the slaughter with its belief in a benevolent God, and reconceived its understanding of life after death.

When Confederate men marched off to battle, white women across the South confronted unaccustomed and unsought responsibilities: directing farms and plantations, providing for families, and supervising increasingly restive slaves. As southern women struggled "to do a man's business," they found themselves compelled to reconsider their most fundamental assumptions about their identities and about the larger meaning of womanhood. Drew Faust offers a compelling picture of the more than half-million women who belonged to the slaveholding families of the Confederacy during this period of acute crisis. According to Faust, the most privileged of southern women experienced the destruction of war as both a social and a personal upheaval: the prerogatives of whiteness and the protections of ladyhood began to dissolve as the Confederacy weakened and crumbled. Faust draws on the eloquent diaries, letters, essays, memoirs, fiction, and poetry of more than 500 of the Confederacy's elite women to show that with the disintegration of slavery and the disappearance of prewar prosperity, every part of these women's lives became vexed and uncertain. But it was not just females who worried about the changing nature of gender relations in the wartime South; Confederate political discourse and popular culture - plays, novels, songs, and paintings - also negotiated the changed meanings of womanhood. Exploring elite Confederate women's wartime experiences as wives, mothers, nurses, teachers, slave managers, authors, readers, and survivors, this book chronicles the clash of the old and the new within a group that was at once the beneficiary and the victim of the social order of the Old South. Mothers of Invention show how people managed both to change and not to change and how their personal transformations related to a larger world of society and politics. Beautifully written and eminently readable, this study of women and war is a pathbreaking and definitive study of the forgotten half of the Confederacy's master class.

'Head bowed, rifle on his back, a soldier is silhouetted against the going down of the sun, looking at the grave of a dead comrade, remembering him. A photograph from the war, is also a photograph of the way the war will be remembered. It is a photograph of the future, of the future's view of the past. We will remember them' Relying more on personal impressions than systematic analysis, Geoff Dyer weaves a network of myth and memory that illuminates our own relation to the past.

"We all live within the stories we tell," writes Drew Faust, "for these tales fashion a coherent direction and identity out of the discontinuities of our past, present, and future." Forging an identity was an extraordinary task for white southerners of the late antebellum and Civil War era. Seeking to explain and justify their individual lives and their slave society, they told stories about themselves and their world - in diaries and letters, sermons and songs, novels. And paintings - which reveal the foundations of power, meaning, and personal identity in the Old South. In a series of eloquent essays, Faust investigates the experiences of wealthy planters, common soldiers, intellectuals, and Confederate women. She breaks especially fresh ground in her attention to southern thought and belief, to southern society and culture during the Civil War, and to the role of gender relations within the Confederate South. Sometimes southern. Stories were collective, as in the case of the antebellum proslavery argument or Confederate discourses about women. Sometimes they were personal, as in the private writings of figures such as Lizzie Neblett, Mary Chesnut, Thornton Stringfellow, or James Henry Hammond. These men and women regularly employed their pens to create coherence and order amid the tangled circumstances of their particular lives and within a context of social prescriptions and expectations. Southern Stories: Slaveholders in Peace and War represents some of the most interesting work in southern history of the past two decades. Faust's approach reveals a society so involved in defining itself and its legitimacy that it became embroiled in a war of words and ideas long before the onset of armed conflict. By exploring the cultural, moral, and personal dilemmas that confronted white southerners, Faust has made an important contribution to our understanding of. Southern culture, both before and after the Civil War.