David Seed

"In Pat Frank's 1959 novel Alas, Babylon, the character Helen says of her children: "All their lives, ever since they've known anything, they've lived under the shadow of war--atomic war. For them the abnormal has become normal." The threat of nuclear annihilation was a constant source of dread during the Cold War, and in Under the Shadow, author David Seed examines how authors and filmmakers made repeated efforts in their work to imagine the unimaginable. Seed discusses classics of the period like Nevil Shute's On the Beach, but he also argues for recognition of less-known works such as Walter M. Miller's depiction of historical cycles in A Canticle for Leibowitz, Bernard Wolfe's black comedy of aggression in Limbo, or Mordecai Roshwald's satirical depiction of technology running out of human control in Level 7. Seed relates these literary works to their historical contexts and to their adaptations in film. Two prime examples of this interaction between media are the motion pictures Fail-Safe and Dr. Strangelove, which dramatize the threat posed by the arms race to rationality and ultimate human survival. Seed addresses the attempts made by characters to remap America as a central part of their efforts to understand the horrors of the war. A particular subset of future histories is also examined: accounts of a Third World War, which draw on the conventions of military history and reportage to depict probable war scenarios. Under the Shadow concludes with a discussion of the recent fiction of nuclear terrorism."--Publisher's website.

As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors. David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews. Mining Bradbury's classics and hard-to-find archival, literary, and cultural materials, Seed analyzes how the author's views on technology, authoritarianism, and censorship affected his art; how his Midwest of dream and dread brought his work to life; and the ways film and television influenced his creative process and visually-oriented prose style. The result is a passionate statement on Bradbury's status as an essential literary writer deserving of a place in the cultural history of his time. --Provided by publisher.

Leif Collins is in no hurry to grow up as he enjoys trout fishing and swimming with his friends in his northern California town.

"Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship." "Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernists is then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film."--BOOK JACKET

In this collection, leading scholars in the field examine the interfaces between narratives of travel and of empire. The term 'American', used here in the hemispheric sense, and 'American travel writing' include both writing about America by visitors and writings by Americans abroad. The contributors are recognized specialists in different periods of American literature and travel writing.

"This volume brings together essays by specialists in different disciplines on the cultural expression of apocalypse, in particular in anglophone science fiction of the nineteenth and twentieth centuries. Approaching these works from historical, philosophical, linguistic and literary perspectives, the contributors examine the relationship between secular and spiritual apocalypse, connecting the fiction and films to their historical moment. Not surprisingly, war recurs throughout this material, as a critical turning-point, fulfilment of prophecy, or prelude to a new age. In particular the essays explore the issue of whether modern apocalypse is seen as an ending or a beginning, considered under its political, ethnic and gendered aspects."--BOOK JACKET.

"David Seed traces the assimilation of the notion of brainwashing into science fiction, political commentary, and conspiracy narratives of the Cold War era. He demonstrates how these works grew out of a context of political and social events and how they express the anxieties of the time." "This study reviews 1950s science fiction, Korean War fiction, and the film The Manchurian Candidate. Seed provides new interpretations of writers such as Orwell and Burroughs within the history of psychological manipulation for political purposes, using declassified and other documents to contextualize the material. He explores the shifting viewpoints of how brainwashing is represented, changing from an external threat to American values to an internal threat against individual American liberties by the U.S. government."--BOOK JACKET.

"Through a wide-ranging series of essays and readings, A Companion to Twentieth-Century United States Fiction presents an overview of fiction published in the United States since the conclusion of World War I. These thought-provoking essays cover a diverse cross-section of novelists from the period: from canonical literary figures, such as Hemingway and Faulkner, to popular contemporary fiction writers, such as Amy Tan and Alice Walker, as well as critical overviews of various literary genres, such as crime and "hard-boiled" fiction, along with coverage of the ethnic and cultural traditions that continue to permeate U.S. fiction. A Companion to Twentieth-Century United States Fiction is an accessible and invaluable entree into the fertile period that cemented America's literary reputation throughout the world."--Jacket.

This study examines American cinematic classics and also looks at some lesser-known figures such as Karl Van Vechten and Tom Kromer. The phrase cinematic fiction has now been generally accepted into critical discourse, but is usually applied to post-war novels. The book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings?