FICTION · FAMILIES
Catherine Leroux
Also known as: LEROUX CATHERINE
Catherine Leroux is a Montreal novelist, screenwriter, translator and publisher. The author of five books, she has been a finalist and winner of several literary prizes, including the Prix France-Québec for Le mur mitoyen and the Prix Jacques-Brossard for L’avenir, which also won the Canada Reads competition in its English version. Her latest novel, Peuple de verre, is a work of anticipation focusing on the housing crisis.
Most acclaimed
The future
Winner of Canada Reads 2024 • Longlisted for the 2025 Dublin Literary Award • Longlisted for the 2024 Carol Shields Prize for Fiction • One of Tor.com's Can't Miss Speculative Fiction for Fall 2023 • Listed in CBC Books Fiction to Read in Fall 2023 • One of Kirkus Reviews' Fall 2023 Big Books By Small Presses • One of CBC Books Best Books of 2023 • A CBC Books Bestselling Canadian Book of the Week In an alternate history in which the French never surrendered Detroit, children protect their own kingdom in the trees. In an alternate history of Detroit, the Motor City was never surrendered to the US. Its residents deal with pollution, poverty, and the legacy of racism—and strange and magical things are happening: children rule over their own kingdom in the trees and burned houses regenerate themselves. When Gloria arrives looking for answers and her missing granddaughters, at first she finds only a hungry mouse in the derelict home where her daughter was murdered. But the neighbours take pity on her and she turns to their resilience and impressive gardens for sustenance. When a strange intuition sends Gloria into the woods of Parc Rouge, where the city's orphaned and abandoned children are rumored to have created their own society, she can't imagine the strength she will find. A richly imagined story of community and a plea for persistence in the face of our uncertain future, The Future is a lyrical testament to the power we hold to protect the people and places we love—together.
Le mur mitoyen
Madeleine parle toute seule, même quand elle a de la compagnie. Lorsque son fils revient avec une demande qui bouleverse sa vie, elle comprend à qui elle s'adresse quand elle ne parle à personne. En se serrant la main pour la première fois, Ariel et Marie s'évanouissent. Des années plus tard, ils sont mariés, Ariel est à la tête d'un pays en déroute et ils sont sur le point de défaillir de nouveau. Entre deux tremblements de terre, Simon et Carmen tentent de poser à leur mère la question la plus ancienne de leur existence. La réponse qu'elle leur livre malgré elle crée entre eux une fracture digne de la faille de San Andreas. Et quelque part dans le sud des États-Unis, deux petites filles déposent un sou sur le rail d'une voie ferrée. Entre ces personnages, Catherine Leroux dessine une cloison fine comme un brin d'impossible qui tantôt sépare, tantôt unit, estompant la frontière entre les secrets, la vérité et l'inouï. Une histoire où l'on frappe trois coups sur un mur pour entendre en retour un mystérieux toc toc toc.