Caroline Walker Bynum

"In Wonderful Blood, Caroline Walker Bynum studies the saving power attributed to Christ's blood at north German cult sites such as Wilsnack, the theological controversy such sites generated, and the hundreds of devotional paintings, poems, and prayers dedicated to Christ's wounds, scourging, and bloody crucifixion. She argues that Christ's blood as both object and symbol was central to late medieval art, literature, pious practice, and theology. As object of veneration, blood provided a focus of intense debate about the nature of matter, body, and God and an occasion for Jewish persecution; as motif, blood became a prominent subject of northern art and a central symbol in the visions of mystics and the prayers of ordinary people."--BOOK JACKET

Fragmentation and Redemption is first of all about bodies and the relationship of part to whole in the high Middle Ages, a period in which the overcoming of partition and putrefaction was the very image of paradise. It is also a study of gender, that is, a study of how sex roles and possibilities are conceptualized by both men and women, even though asymmetric power relationships and men’s greater access to knowledge have informed the cultural construction of categories such as “male” and “female,” “heretic” and “saint.” Finally, these essays are about the creativity of women’s voices and women’s bodies. Bynum discusses how some women manipulated the dominant tradition to free themselves from the burden of fertility, yet made female fertility a powerful symbol; how some used Christian dichotomies of male / female and powerful / weak to facilitate their own imitatio Christi, yet undercut these dichotomies by subsuming them into humanitas. Medieval women spoke little of inequality and little of gender, yet there is a profound connection between their symbols and communities and the twentieth-century determination to speak of gender and “study women.” (Source: [Princeton University Press](

In The Resurrection of the Body Caroline Bynum forges a new path of historical inquiry by studying the notion of bodily resurrection in the ancient and medieval West against the background of persecution and conversion, social hierarchy, burial practices, and the cult of saints. Examining those periods between the late second and fourteenth centuries in which discussions of the body were central to Western conceptions of death and resurrection, she suggests that the attitudes toward the body emerging from these discussions still undergird our modern conceptions of personal identity and the individual. Bynum describes how Christian thinkers clung to a very literal notion of resurrection, despite repeated attempts by some theologians and philosophers to spiritualize the idea. Focusing on the metaphors and examples used in theological and philosophical discourse and on artistic depictions of saints, death, and resurrection, Bynum connects the Western obsession with bodily return to a deep-seated fear of biological process and a tendency to locate identity and individuality in body. Of particular interest is the imaginative religious imagery, often bizarre to modern eyes, which emerged during medieval times. Bynum has collected here thirty-five examples of such imagery, which illuminate her discussion of bodily resurrection. With this detailed study of theology, piety, and social history, Bynum writes a new chapter in the history of the body and challenges our views on gender, social hierarchy, and difference.

In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects -- among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers -- allegedly erupted into life by such activities as bleeding, weeping, and walking about. Challenging Christians both to seek ever more frequent encounter with miraculous matter and to turn to an inward piety that rejected material objects of devotion, such phenomena were by the fifteenth century at the heart of religious practice and polemic. In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they presented for both church authorities and the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. She also analyzes the proliferation of religious art in the later Middle Ages and argues that it called attention to its materiality in sophisticated ways that explain both the animation of images and the hostility to them on the part of iconoclasts. Seeing the Christian culture of the fourteenth and fifteenth centuries as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to the sixteenth-century reformations, both Protestant and Catholic. Moving beyond cultural study of "the body"--A field she helped to establish. Bynum argues that Western attitudes toward body and person must be placed in the context of changing conceptions of matter itself. Her study has broad theoretical implications, suggesting a new approach to the study of material culture and religious practice.