Ben Yagoda

To the world, she is everyone's favorite sex therapist; a four-foot-seven-inch dynamo who answers our most intimate questions with disarming candor and heartening warmth. Yet few people know the real Dr. Ruth -- her loves, her losses, and the irrepressible spirit that has helped her through it all. Here, for the first time ever, Dr. Ruth opens her heart ... and the pages of her girlhood diaries to share her remarkable life story. Meet the child orphaned by the Holocaust, the Israeli soldier wounded on her twentieth birthday, and the citizen of the world who has called five countries home. A revealing autobiography of a fighter who has survived heartache with her spirit intact, All in a Lifetime offers a close and personal look at a courageous and very loving woman.

What do you get when you mix nine parts of speech, one great writer, and generous dashes of insight, humor, and irreverence? One phenomenally entertaining language book.In his waggish yet authoritative book, Ben Yagoda has managed to undo the dark work of legions of English teachers and libraries of dusty grammar texts. Not since School House Rock have adjectives, adverbs, articles, conjunctions, interjections, nouns, prepositions, pronouns, and verbs been explored with such infectious exuberance. Read If You Catch an Adjective, Kill It and:Learn how to write better with classic advice from writers such as Mark Twain ("If you catch an adjective, kill it"), Stephen King ("I believe the road to hell is paved with adverbs"), and Gertrude Stein ("Nouns . . . are completely not interesting"). Marvel at how a single word can shift from adverb ("I did okay"), to adjective ("It was an okay movie"), to interjection ("Okay!"), to noun ("I gave my okay"), to verb ("Who okayed this?"), depending on its use. Avoid the pretentious preposition at, a favorite of real estate developers (e.g., "The Shoppes at White Plains"). Laugh when Yagoda says he "shall call anyone a dork to the end of his days" who insists on maintaining the distinction between shall and will. Read, and discover a book whose pop culture references, humorous asides, and bracing doses of discernment and common sense convey Yagoda's unique sense of the "beauty, the joy, the artistry, and the fun of language."

An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era. "Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history" --

The Art of Fact is a historical treasury tracing what used to be called "new" journalism back to such pioneers as Defoe, Dickens, and Orwell, and to crime writers, investigative social reporters, and war correspondents who stretched the limits of style and even propriety to communicate powerful truth. The tradition is alive and well in stories that take us from a cantina in Los Angeles to a lesbian bar in Dublin, from a massacre in Tiananmen Square to a nonviolent revolution in the Philippines. This international emphasis links American literary journalists to their counterparts in England, Africa, and Russia.

In writing, style matters. Our favorite writers often entertain, move, and inspire us less by what they say than by how they say it. In The Sound on the Page, acclaimed author, teacher, and critic Ben Yagoda offers practical and incisive help for writers on developing and discovering their own style and voice. This wonderfully rich and readable book features interviews with more than 40 of our most important authors discussing their literary style, including:Dave BarryHarold BloomSupreme Court Justice Stephen BreyerBill BrysonMichael ChabonAndrei CodrescuJunot DiazAdam GopnikJamaica KincaidMichael KinsleyElmore LeonardElizabeth McCracken Susan OrleanCynthia OzickAnna QuindlenJonathan RabanDavid ThomsonTobias Wolff

"About Town tells fascinating story of how a tiny humor magazine, founded in the Jazz Age on champagne vapors, grew into a literary enterprise of epic proportion. Ben Yagoda is the first author to make extensive use of the New Yorker's archives, which were donated to the New York Public Library in 1991. Illuminated by interviews with more than fifty people, including the late Joseph Mitchell, William Steig, Roger Angell, Calvin Trillin, Pauline Kael, John Updike, and Ann Beattie, About Town penetrates the inner workings of the New Yorker as no other book has done."--BOOK JACKET.

The Art of Fact is a historical treasury tracing what used to be called "new" journalism back to such pioneers as Defoe, Dickens, and Orwell, and to crime writers, investigative social reporters, and war correspondents who stretched the limits of style and even propriety to communicate powerful truth. The tradition is alive and well in stories that take us from a cantina in Los Angeles to a lesbian bar in Dublin, from a massacre in Tiananmen Square to a nonviolent revolution in the Philippines. This international emphasis links American literary journalists to their counterparts in England, Africa, and Russia.