Ben Lerner

"These two novels explore the themes of physical and emotional exile and "between-ness." Each is relevant, accessible, and written with a rich blend of poetic language and withering critique. Writing to her sister, the narrator of the first novel tries to come to terms with her ancestry: What did her parents, two "ordinary people" in Nazi Germany, really stand for? How does their bad marriage resonate in the lives of their daughters? The Hanky of Pippin's Daughter aks whether we can really know the past or its place in our lives.". "In A Form/of Taking/It All, Rosmarie Waldrop measures the highly subjective experience of her narrator in contemporary Mexico City against the historical, scientific, and political discourses that control her personal experience. Written as an epic collage, A Form/of Taking/It All is an innovative exploration of such disparate elements as Columbus's discoveries and the formulation of quantum theory, presented in an elaborate web of interactions that stretch the bounds of language."--BOOK JACKET.

"While women artists of the early twentieth century were known for depicting interior spaces as places of privacy and domestic quietude, Margaux Williamson's interiors reveal spaces of creativity, subjectivity, and a kind of anarchic experimentation. Williamson has a distinctive way of understanding and depicting space and makes tangible a creative woman's place within it. The exhibition and publication will be organized around three interior settings that Williamson frequently explores: the studio, the home and the bar. The publication Margaux Williamson: Interiors is the first major book devoted to the work of this leading Canadian painter. All works in the exhibition are shown with full colour plates, with editorial photography showing Williamson in her creative milieu by Craig Boyko."--

"No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible"-- "The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

"A book of interviews and selected writings by Keith Waldrop and Rosmarie Waldrop, edited by Ben Lerner"--

National Book Award finalist's third volume is layered with quick changes, false starts, and continuous reorientation.

"The Lichtenberg Figures, winner of the Hayden Carruth Award for Emerging Poets, is a sonnet sequence that interrogates the relationships between language and memory, violence and form. The book takes its title from the fernlike patterns that sometimes appear (and quickly fade) in the aftermath of a lightning strike." "Lerner's poems mimic and explore the complex juxtapositions of contemporary culture through permutation, repetition, and collage. The vocabulary of academic theory collides with American slang, the idiom of the Old Testament meets the jargon of the Internet, and cliches are cracked open and made new and strange. Throughout this debut, flashes of autobiography, comedy, fury, and critique illuminate an eclectic sensibility that is sometimes in command of, and sometimes commanded by, the power of speech."--BOOK JACKET.

"Angle of Yaw, Ben Lerner's ambitious second book of poetry, is an extended meditation on the commercialization of public space and speech. Combining philosophical insight with poetic experiment, political outrage with personal experience, Lerner's prose poems and lyrical sequences examine how technologies of viewing - aerial photography in particular - feed our spectacular culture an image of itself."--Book jacket.

Defines the various categories of medications and describes their effects on the body.

A beautiful and utterly original novel about making art, love, and children during the twilight of an empire. Ben Lerner's first novel, Leaving the Atocha Station, was hailed as "one of the truest (and funniest) novels. of his generation" (Lorin Stein, The New York Review of Books), "a work so luminously original in style and form as to seem like a premonition, a comet from the future" (Geoff Dyer, The Observer). Now, his second novel departs from Leaving the Atocha Station's exquisite ironies in order to explore new territories of thought and feeling. In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water. In prose that Jonathan Franzen has called "hilarious. cracklingly intelligent. and original in every sentence," Lerner captures what it's like to be alive now, when the difficulty of imagining a future has changed our relation to our present and our past. Exploring sex, friendship, medicine, memory, art, and politics, 10:04 is both a riveting work of fiction and a brilliant examination of the role fiction plays in our lives.

" ... Maximized Living is a right way of living that provides massive physical health, mental strength, fewer drugs, and a surge of quality and purpose for life! ..."--Back cover.