Alan Lomax

More than two hundred songs, some with music, whose lyrics depict life in the old West.

Includes roots of black poetry in Africa, from primitive song, and extends to Egypt, Latin America, the West Indies, and the rural and urban streets of our country. The poetry of black Africa speaks directly to us over time and distance.

"The bluesmen were the bards of America's last frontier, the rowdy Mississippi Delta, in the days of the cotton boom, of levee and railroad building. Alan Lomax takes us on an adventure into the "bad old days" of the Delta. Weaving together the tales of muleskinners and roustabouts, church matrons and convicts, children and blind street singers, Lomax gives us the rich, sorrow-ridden background of the blues. We meet Muddy Waters (the father of modern blues), learn how Robert Johnson met his end, and are introduced to Fred McDowell and Son House, who taught Mick Jagger and Eric Clapton how to play the blues.". "In pre-integration days, when Lomax, a Southerner, first began his research, custom forbade a white man to socialize or even shake hands with a black. Despite threats of jail and violence, Lomax broke through the veil of silence that up till the 1940s had concealed the life of blacks in the Deep South. For the first time the people in these lower depths told the story of their humiliation and exploitation - of the brutal work camps that wasted lives and of the monstrous state penitentiaries that devoured the rebellious. No blacks before them had dared to expose the cruelties of the post-Reconstruction Deep South, the time of broken promises and illegal repression.". "In 1941, Blind Sid Hemphill, drum major of the Hills, introduced Lomax to the African roots of the Mississippi music, whose performance style (in song, speech, music, dance) has survived virtually intact in American black folk communities. This powerful, joy-filled, nonverbal and oral tradition gave rise to spirituals, jazz, dance steps, humor, and other folkways that kept the hearts of blacks alive all through their time of travail. It is this river of African-American culture - swept along in a tide of bawdy tales, murder ballads, work songs, hollers, game songs, church shouts - that produced the blues, which now enchant the world."--BOOK JACKET.

"More than fifty years ago, on a trip dubbed 'the Southern Journey,' Alan Lomax visited Virginia, Georgia, Alabama, Mississippi, Kentucky, and Tennessee, uncovering the little-known southern backcountry and blues music that we now consider uniquely American. Lomax's camera was a constant companion, and his images of both legendary and anonymous folk musicians complement his famous field recordings. These photographs--largely unpublished--show musicians making music with family and friends at home, with fellow worshippers at church, and alongside workers and prisoners in the fields. Discussions of Lomax's life and career by his disciple and lauded folklorist William Ferris, and a lyrical look at Lomax's photographs by novelist and Grammy Award-winning music writer Tom Piazza, enrich this valuable collection"--Book jacket.