The Scribner library of Contemporary classics

The Reef, a semi-autobiographical novel that attacks the hypocrisies of New York society of which author Edith Wharton had long been a member, was praised by contemporaries as her best work since Ethan Frome. The novel challenged the morality of the times in the person of George Darrow, a diplomat who drifts into an affair with another woman after his proposal of marriage to widow Anna Leath receives a cool response. When The Reef appeared in 1912, reviewers found Edith Wharton's novel of American expatriates in France sordid and even shocking. George Darrow, an American diplomat, is in love with the recently widowed Anna Leath. On his way to visit her in France, he finds himself accompanying Sophy Viner, a young American he has briefly met in the past, on her way to Paris. A minutely rendered anatomy of social ambiguity, the implications of this Parisian prologue inform the remainder of the novel, as Darrow's, Anna's, and Sophy's lives become increasingly and intricately interdependent. Obliquely but intensely autobiographical, written following the dissolution of her marriage and her move from America to France, The Reef explores Wharton's ambivalent sense of both her newly adopted country and her unexpectedly awakened sexuality. A brilliant and compelling work, it is both a neglected and genuinely distinguished novel and a revealing document in modern sexual history.

"[Niebuhr] is one of my favorite philosophers. I take away [from his works] the compelling idea that there's serious evil in the world, and hardship and pain. And we should be humble and modest in our belief we can eliminate those things. But we shouldn't use that as an excuse for cynicism and inaction. I take away . . . the sense we have to make these efforts knowing they are hard."—President Barack Obama Forged during the tumultuous but triumphant postwar years when America came of age as a world power, The Irony of American History is more relevant now than ever before. Cited by politicians as diverse as Hillary Clinton and John McCain, Niebuhr's masterpiece on the incongruity between personal ideals and political reality is both an indictment of American moral complacency and a warning against the arrogance of virtue. Impassioned, eloquent, and deeply perceptive, Niebuhr's wisdom will cause readers to rethink their assumptions about right and wrong, war and peace.

Providing a dramatic portrait of American manners and mores during the 1920s and 1930s, a collection of ten stories probes the false security of wealth, the emotional sterility fostered by technology, and the fragile nature of human existence.